Tag Archives: 摄影

Roller Coaster India

 

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“During my trip to Kolkata, India, I could only think of one thing: roller coaster,” says Cuban filmmaker Yuribert Capetillo Hardy. As the name suggests, Hardy’s short film Roller Coaster India is nothing short of a vibrant, and at times, dizzying spectacle. The film’s point of view twists from scene to scene with almost zero delay, delivering a sensory overload that Hardy describes as a visualization of his feelings, fears, and emotions while traveling through India.


古巴电影制片人Yuribert Capetillo Hardy说:“在印度加尔各答旅游时, 我只能想到一个词——过山车。”顾名思义,他所拍摄的短片《Roller Coaster India》是一部充满活力,甚至可以说令人眩目的视觉影像。影片的各个场景快速地切换着,带来目不暇接的视觉体验,Hardy解释道,这正是对他在印度旅行时的感觉、恐惧和情感的“视觉化表达”。

The film is a choppy glimpse into everyday life on the streets of India, forcing viewers to cling to each scene. Hardy, who is now based in Holland, remarks that these moments are a stark contrast to his daily life but also make him reminiscent of his own childhood in Havana, Cuba. “Compared to my week in India, I realized that my life in the streets of Havana wasn’t that bad after all. The energy of this country, the spirituality of the people, and the spark in their eyes made this the trip of a lifetime.”


这部影片展示了印度街头日常生活的各种片段,迫使观众专注地观察每一个场景。Hardy现在在荷兰生活,他表示,影像中的生活和他平常的生活截然不同, 但使他想起了自己在古巴哈瓦那的童年。“我在印度度过的这一周, 让我意识到,曾经在哈瓦那街头的生活也没有很糟糕。这个国家的活力、人们的精神和他们眼中的火花, 使这场旅行成为了一次终生难忘的经历。”

Website: yosoyvideo.nl
Facebook: ~/Yosoyvideo
Instagram: @yosoyvideo

 

Contributor: Whitney Ng


地址: yosoyvideo.nl
脸书: ~/Yosoyvideo
Instagram: @yosoyvideo

 

供稿人: Whitney Ng

Listening Through the Lens

Hai Thanh is a photographer based in Hanoi, Vietnam. His photography is a visual diary of his daily life, showing the people he comes across and the environments they live in. A graduate of the graphic design department at the University of Industrial Fine Arts in Hanoi, Thanh went on to pursue his passion for photography full-time, working as a photojournalist for both domestic and online news outlets.


Hai Thanh是来自越南河内的一名摄影师。他用摄影来记录自己的日常生活,展现他所遇到的人和他们生活的环境。从河内工业美术大学平面设计系毕业后,他选择了自己热爱的摄影事业,成为了一名全职摄影师,为越南国内媒体及在线新闻媒体工作。

Thanh’s personal philosophy is that photography is an art form that goes beyond any categorizations of genre. He says, “I consider myself as a photographer, not a street photographer, documentary photographer, or photojournalist. These are just names. Sometimes I use photography a method of self-expression, and other times I try to tell stories about the people I care about.”


他的个人哲学是,摄影是一种个人的艺术形式,超越任何形式的分类。他说: “我觉得自己就是一名摄影师,不是街头摄影师,也不是纪录片摄影师或是摄影记者。这些都只是头衔。有时,我用摄影来表达自己,有时,我用摄影来给我关心的人讲故事。”

As street photography becomes more popular in Vietnam, Thanh strives to maintain an honest approach to his work on the street and his relationship to his subjects. He says, “When I’m doing street photography, I don’t try to find dramatic situations, and I’m not a big fan of ‘decisive moments.’ I take photos as naturally and simply as I can. I love photographing the emotional connection between people… I don’t think much about whether or not I can get ‘good pictures.’ I care about the connection between myself and the people I photograph. The process of photography is not only about taking pictures but also about talking and understanding.”


随着街头摄影在越南越来越流行,Thanh 在街头拍摄时也会努力保持贴近现实,在与摄影对象的关系中保持真诚的态度。他说:“当我在进行街头摄影时,我不会试图去寻找戏剧性的场面,也不会特别热衷于‘决定性时刻’这类风格的摄影。我按照尽可能自然和简单的方式来拍摄。我喜欢记录人们之间的情感联系……我不会考虑太多能不能拍到‘好照片’的问题。我关心的是我和拍摄对象之间的联系。摄影的过程不仅是拍照,更是沟通和理解。”

Thanh is currently working as a freelance editorial and documentary photographer focused mostly on social issues. In addition, he is also working on a personal project on autistic children in Vietnam. He shares his knowledge with other photographers by hosting workshops on street photography and visual storytelling across the country. As he deals with the responsibilities of raising a family, he continues his dedication to photography and offers us his thoughts on his changing relationship with the artform. “I heard this said before by another photographer – ‘photography is more and more about being on your own as you get older.’ Your pictures are talking about yourself. Photography means a lot to me – it’s my way of thinking, speaking, and listening.”


业的编辑和纪录片摄影师,作品主要围绕当今的社会问题,同时也在进行一个关于越南自闭症儿童的个人项目。他在全国各地举办街头摄影和视觉叙事的研讨会,和其他摄影师分享自己的知识。当他有了自己的家庭后,他继续献身于摄影,和我们分享他对于自己和艺术形式之间不断变化的关系的一些想法。“我之前曾听过另一位摄影师说,随着年龄变大,摄影会越来越像是一件属于你自己的事情。你的照片讲述的就是你自己。摄影对我来说意义重大,它是我思考、说话和倾听的方式。”

Tumblrhaithanhptw.tumblr.com
Instagram@haithanhptw

 

Contributor: George Zhi Zhao


Tumblrhaithanhptw.tumblr.com
Instagram: @haithanhptw

 

供稿人: George Zhi Zhao

Vois Sur Ton Chemin

Freckles on an exposed back, the tinge of red on sun-kissed necks, squinting from the brightness of the afternoon sun – these summery vibes all present themselves in the fashion photography series Vois sur ton chemin by Chinese photographer Leslie Zhang. Translated, the french phrase vois sur ton chemin means “look to your path.” The name of this series is taken from the featured song of the French film The Chorus, a song that originally intended to encapsulate the joys of childhood and the sadness of its fleeting nature, which is the exact mood that Zhang intended to introduce in his photos.


背上的小雀斑,晒到发红的脖子,阳光下睁不开的眼睛,这些带着盛夏故事的照片来自中国摄影师Leslie Zhang今年的时装摄影系列《Vois sur ton chemin》,中文译为遥望你的路途。这也是法国电影《放牛班的春天》中一首法国童谣的歌名,歌词描写了童年的欢乐转瞬即逝的伤感,这也正是Leslie Zhang想要拍摄的意境。

To create Vois sur ton chemin, Leslie worked with stylist Austin Feng to find a suitable 13-year-old-model. The outfits used in the photo series were all from Loewe’s past menswear collections, which were designed by Jonathan Anderson. Outfitting these young kids with luxury fashion was an idea that Zhang conceived. The entire series is based on memories that often arose in his mind – memories of rivers, reeds, and flocks of sheep – which all came from his childhood days when he would visit his grandparents at a small lakeside town during the summer. Subconsciously, these childhood summer days have lent a large influence on his photography and can be seen in much of his work. Scroll down and check out more images from the photo series below.


这组相片中,Leslie Zhang和造型师Austin Feng找来年仅13岁的少年模特。相片中的时装都是出自Jonathan AndersonLoewe品牌设计的往季男装。让少年模特演绎高级时装,也是摄影师Leslie Zhang构思了很久的想法。他记忆中常闪回一些片段,是小时候回到长江边上的小镇,与外公外婆一起度过的暑期时光。在他脑中,江河、芦苇和羊群等自然元素,构成了他对夏天最鲜活的记忆,也默默地影响着他现在的摄影风格。下面和Neocha一起走进Leslie Zhang镜头下的盛夏光年吧。

Websitelesliezhang.com
Weibo
: ~/zhangleslie
Instagram@lesliezhang1992

 

Contributor: Ye Zi


网站lesliezhang.com
微博
~/zhangleslie
Instagram@lesliezhang1992

 

Contributor: Ye Zi

20 Questions with Leungmo

Leungmo is a Hong Kong-based photographer and art director whose works can be characterized by the use of bold, contrasting colors and playful props – this stems from her ongoing fascination with vintage toys. Many of the dolls and props that appear in her photos are actually even listed for sale on littlebuttkid, her online store. Leungmo’s interest with cute toys can be traced back to her childhood when she received her first camera – a Hello Kitty film camera that her parents gifted her. But, at the time, Leungmo only wore it around her neck as an accessory. Her true initiation into the world of photography began in middle school. Inspired by the phrase “Don’t think, just shoot,” she began taking photos of anything and everything. Shower heads, windows, roads, and rocks – nothing was off limits for Leungmo as she developed into the talented photographer that she is today. We recently caught up with Leungmo and tried to catch her off guard with a rapid-fire round of twenty questions. Check out the interview below.


Leungmo是来自香港的女性摄影师及艺术指导。在她的作品中你常能见到大胆的色彩碰撞及童趣的场景。摄影之外,颇具童心的Leungmo还情迷于收藏旧玩具。这些玩偶不仅出现在她的相片中,现在也在她的玩具商店littebuttkid中出售。说起和摄影的关系,Leungmo的第一部相机是一部Hello Kitty的胶片机,那是小时候父母送她的礼物,只不过那时候的她只懂得把玩具相机挂在脖子上作装饰。真正开始拍照源于中学时代,那时候很流行一句话叫做“Don’t think just shoot” Leungmo便开始到处乱拍,拍家里的淋浴头、窗、马路和石头等等。下面,一起看看Neocha和Leungmo的20问答,进一步了解这位有趣的摄影师。

Neocha: Do you prefer shooting strangers or people you’re more acquainted with?

Leungmo: Probably strangers. I’m always so curious about other people’s stories. To me, my camera is a tool that helps me bridge the gap between unfamiliar people and myself.

Neocha: Describe your work in three words.

Leungmo: Waaaa… I’m terrified of describing my own work.

NeochaDescribe yourself in three words.

Leungmo: Waaa waaa waaa.


Neocha: 你更喜欢拍摄熟悉的人还是拍摄陌生人?

Leungmo: 陌生人吧,总是很好奇别人的故事,而相机成为我和陌生人接触的桥梁。

Neocha: 用三个词语形容你的照片。

Leungmo: 呜,最怕形容自己和作品。

Neocha: 用三个词语形容你自己。

Leungmo: 呜呜呜。

 

Neocha: What has been the most satisfying thing about photography for you?

Leungmo: Being able to make a livelihood with something I enjoy.

Neocha: What’s your favorite quote about photography?

Leungmo: “Ruin is a gift, ruin is the road to transformation.”

Neocha: What’s a message you’d want to share with other photography enthusiasts?

Leungmo: If you love it, keep doing it until you hate it or until you die.


Neocha: 有关摄影,你至今最满意的事是?

Leungmo: 兴趣能养活自己。

Neocha: 有关摄影,你最喜欢的东西或一句话是?

Leungmo: Ruin is a gift, ruin is the road to transformation.”

Neocha: 给其他喜欢拍照的人,你想说的一句话是?

Leungmo: 喜欢的话就一直拍至不喜欢或死。

Neocha: How do you feel about the internet? Is it a good thing or a bad thing?

Leungmo: The internet allows us to easily receive new information, but whenever I eat out with my parents, they’re just staring at their phones. Haha. It’s both good and bad I suppose.

Neocha: Who’s your idol?

Leungmo: Diane Arbus.

Neocha: If you could collaborate with anyone in the future, who would you want it to be?

Leungmo: My boyfriend. He’s a fantastic partner in life and in work. I want to create more with him.


Neocha: 你对互联网的看法,觉得它是好东西还是坏东西? 

Leungmo: 互联网的确令我们更方便接受到新资讯,但令到我爸妈每次外出吃饭都只看着电话,哈哈,有好有坏吧。

Neocha: 你的偶像是?

LeungmoDiane Arbus。

Neocha: 将来可以和一个人合作,你希望是谁?

Leungmo: 男友,他是我生活和工作上的好拍档,将来会和他合作做更多创作。

Neocha: How does living Hong Kong influence your photography?

Leungmo: I have to constantly remind myself to not be drowned by work.

Neocha: What’s your favorite thing about Hong Kong? How about your least favorite?

Leungmo: I like Sham Shui Po. I don’t like Admiralty Station during peak hours.

Neocha: Ten years from now, where do you hope to live? 

Leungmo: Hong Kong. Every time I go on vacation, I come back and feel like Hong Kong is still the best. It feels like home.

Neocha: Where do you want to shoot next?

Leungmo: There are actually so many places in Hong Kong that I haven’t been to. I want to wander the streets and find even more interesting locations and stories.


Neocha: 生活在香港对你拍摄的影响是?

Leungmo: 要时常提醒自己不要被工作淹没。

Neocha最喜欢和最不喜欢香港的地方是?

Leungmo: 喜欢深水埗,不喜欢下班时间的金钟站。

Neocha: 未来10年,希望自己生活在哪里?

Leungmo: 香港,每次外出回来还是觉得香港最好,有家的感觉。

Neocha接下来最想去哪里拍摄?

Leungmo其实香港有很多地方没去过,想多在街上游荡,发掘有趣的地方和故事。

Neocha: If you could only choose between digital and film, what do you choose?

Leungmo: Film. There’s just an irreplaceable quality to it.

Neocha: Who do you want to photograph the most?

Leungmo: I want to photograph an exact clone of myself. It’s impossible to see yourself through your own eyes – it’s always in a reflection or a photograph.

Neocha: If you weren’t a photographer, what do you think you’d be doing?

Leungmo: I’d be the manager of a toy store. I love the toy store in the movie Mr. Magorium’s Wonder Emporium.


Neocha: 数码相机和菲林相机,只保留一个你选?

Leungmo: 菲林吧,有种无法取代的质感。

Neocha: 最想拍摄的人是?

Leungmo: 想有另一个自己替自己拍照,因为永远无法用肉眼看见自己,只能透过反射或照片。

Neocha: 如果不做摄影师,你会做的职业是?

Leungmo: 玩具店店长,喜欢电影《Mr. Magorium’s Wonder Emporium》那样的玩具店。

Neocha: What talent do you want to have the most?

Leungmo: I want the translation konjac in Doraemon. When you eat it, you’re instantly able to talk to someone in a foreign language. Doraemon often uses it to talk to dogs, cats, ancient civilizations, and aliens. Besides translating, I can eat it like regular food.

Neocha: What are you most afraid of?

Leungmo: The passing of a relative.

Neocha: What do you consider to be the superficial type of pain?

Leungmo: A cut.

Neocha: What do you feel like the epitome of happiness is?

Leungmo: Loving someone and being loved back.


Neocha: 最希望自己拥有哪种才华?

Leungmo: 想要叮当的翻译蒟蒻,只要吃下之后就能与不同语言者对话无碍,亦可翻译文字。叮当经常用此来和猫、狗、古代人或外星人对话。除了翻译之外也能当作普通的食物来冲充饥。(转自维基)

Neocha: 你最恐惧的是什么?

Leungmo: 亲人离去。

Neocha: 你认为程度最浅的痛苦是什么?

Leungmo: 皮外伤。

Neocha: 你认为最完美的快乐是怎样的?

Leungmo同时爱与被爱。


Website: cargocollective.com/leungmo
Facebook
~/leungmo
Instagram: @leungmo

 

Contributor: Ye Zi


网站: cargocollective.com/leungmo
脸书~/leungmo
Instagram: @leungmo

 

供稿人:  Ye Zi

Conversation

Kim Sunkyung and Jeong Wonjun are the creative duos behind the South Korea-based art collective Sailors Studio. Their newest photography series, Conversation, features delicately distorted portraits that are projected across a fleeting cloth, tossed into twilight landscapes. The duo began experimenting with this fluid portrayal of the human face in their earlier photo series, Floating Life, where the cloth acted as “a screen to absorb a variety of images which tell the story of life and death”.


Kim SunkyungJeong Wonjun 是韩国艺术工作室Sailors Studio的两名艺术家。他们的最新摄影系列《对话》(Conversation),将精美的人像投射于飘逸的布料上,映衬暮色的风景背景。在早期的摄影系列《浮动生活》(Floating Life)中,他们第一次尝试创作这种充满液态动感的人像作品,用布料“作为屏幕,展现一系列影像,讲述有关生命和死亡的故事”。

From the Floating Life series
From the Floating Life series
From the Floating Life series

Whilst their previous photo series explored the themes of life and death, Conversation focuses solely on the former and delves into the topic of self-discovery. The work was originally inspired by French philosopher Emmanuel Levinas’ conception of responsibility, which states that being human meant that one is responsible for someone other than oneself, known as “the Other.” The cloth that is tossed into the air depicts one’s relationship with the Other, with each moment captured symbolizing a conversation. Through these portraits, “one finds one’s essence through the Other.” See the complete series below.


尽管他们以前的摄影作品探讨了生与死的主题,而这一次在《对话》中,他们只关注前者,深入探讨自我发现的主题。深受法国哲学家伊曼纽尔·莱维纳斯(Emmanuel Levinas)的责任观的启发,其中指出,作为人类,对他人的责任是与对自己的责任所不同的,这一点可以被称为“对方”。通过捕捉交谈中的每一个瞬间的特征,所完成的肖像告诉我们,“我们可以通过对方发现自我的本质”。下面一起来欣赏一下这一系列的作品吧。

Behancesailors-studio
Instagram@zza_sam

 

Contributor: Whitney Ng


Behancesailors-studio
Instagram@zza_sam

 

供稿人: Whitney Ng

Black & White Tokyo

Veteran Japanese photographer Junichi Hakoyama is best known for his minimalist black-and-white stills that he captures on the streets of Tokyo. Armed with his Leica M Monochrom, Hakoyama creates alluring images with bold lines and high contrasts through his effective use of light and shadow. The result is a beautifully understated monochromatic series that he has simply titled Tokyo. Every shot carries a soothing balance of proportion and geometric structure, which transforms a simple subject in a common setting into a moment full of purpose. See more of his work below.


日本资深摄影师Junichi Hakoyama凭借在东京街头捕捉的简约黑白摄影作品而闻名。通过他的Leica M Monochrom 相机,他用大胆的线条和高对比度的光影组合呈现了一系列出色的影像作品。他将这个精美而低调的黑白摄影作品系列简洁地命名为《东京》(Tokyo)。每一张照片的比例和几何结构都有一种令人看上去很舒服的平衡,将人们常见的环境和普通的人物定格为一个充满目的性的时刻。一起来欣赏一下他的作品吧。

Flickr: ~/junichihakoyama
Instagram: @junichi_hakoyama

 

Contributor: Whitney Ng


Flickr: ~/junichihakoyama
Instagram: @junichi_hakoyama

 

供稿人: Whitney Ng

Puzzleman Leung

Despite frequent appearances on notable photography and art websites, little is actually known about Puzzleman Leung. In that regard, the Puzzleman moniker seems like a perfect fit, appropriately encapsulating the photographer’s mysterious nature. While the photographer’s Facebook and Instagram feature a girl’s portrait, it’s actually rather difficult to even ascertain Puzzleman’s gender. On websites that feature Puzzleman’s work, the pronouns of “he” and “she” are often interchangeable. Even on Puzzleman’s “About Me” page, little information is offered beyond age and geography, with one line stating “Born in Macao and living in Taipei.” But Puzzleman’s latest photo series doesn’t take place in either of those cities. Titled Tokyo Tokymeky, the new project sees Puzzleman roam through Tokyo with frequent collaborator and model Bee Ke, snapping juxtaposing images of her and the surrounding environment. With the recent release of this photo series, we were fortunate enough to catch up with this enigmatic photographer for a quick chat. In our conversation, it was easy to see that Puzzleman’s quirky images are simply an extension of the photographer’s own personality. Scroll down to check out more photos from the new photo series and read the highlights from our interview.


摄影师Puzzleman Lueng,正如Ta的名字一般,像一幅散落四处的拼图碎片般带有些神秘色彩。Ta的作品经常出现在各大摄影艺术网站,然而对于摄影师本人,你能从互联网上获得的资料甚少,只知道Ta是一位来自澳门,但居住在台北的摄影师。你甚至很难推测出Ta的性别,TaInstagram脸书账号被清一色的魔幻少女照片占领;而翻看各网站的报道,也会看到竟然有用“He”也有用“She”的称谓来形容这位神秘人士。最近,我们很开心联系到这位拼图男人本人,Ta刚带着自己的御用模特Bee Ke漫游东京,完成了这辑最新摄影作品《Tokyo Tokymeky》。和Puzzleman交流的过程中,发现Ta的文字和影像一样有趣,下面我们一起跟着Puzzleman的镜头去东京逛一圈,和拼凑一下这次聊天中Ta留给我们的拼图线索吧。

Not Interested

“Since I was little, I haven’t been interested in photography. I find that people who dabble with photography needs to spend a lot of money on equipment – I think it’s stupid. I feel nothing when I see these commercial shots or landscape shots of sunsets.”

Action

“All photography for me is just the action of pressing a button when I find something interesting.”


没兴趣

从小我对摄影并没什么兴趣,因为知道玩摄影的人要花大钱去买器材就觉得是一件很蠢的事,而且看到那些商业的照片或夕阳的风景照完全无感。

动作

目前摄影对我来说只是对自己有兴趣的画面去按下快门的一个动作而已。”

Sculpting

“When I’m creating an image, I feel like a sculptor. I’m turning my subject or my thoughts into my envisioned image.”

Girlfriend

“The subject I photograph the most is my girlfriend. When we work together, we find ways to push each other, to prepare for a shoot. I like this process of mutual agitation.”


雕塑

在创作那些画面的过程中,我觉得自己更像在做一个雕塑,把被摄物体或自己的思想弄成自己理想的样子。

女友

目前最常拍的人是我的女友,在和她合作的过程中,我俩会不断作出有趣的想法来刺激对方,去准备拍摄,很喜欢这样互相激荡的过程。

Accidents

I like spontaneous shoots, but I also like planning. I feel that the most interesting images happen somewhere in between the two, so I suppose those would be the ‘accidents.’ Sometimes when I nail a shot and it turns out just exactly as I envisioned it, I find it unbelievably boring. I’m always looking forward to making these ‘accidents’ whenever I’m shooting. I’m pretty infatuated with this idea of accidental shots, and I’m pretty stubborn, so I’ll do anything to try and make them happen.”


意外

“我喜欢随手拍,也喜欢先构思,但我觉得最有趣的画面通常出现在这两者之间,那就是‘意外’了。有时候当我把先构思好的画面可以完整呈现出来的时候我反而会觉得很无趣,所以我特别期待每次在拍摄过程中出现的意外画面了,我对它总是特别的着迷,甚至会执着到想尽办法去让它出现。”

Contradiction

“To me, Tokyo is a wonderful place, an amazing city filled beautiful sights and colors. I’ve always been quite infatuated with this place. But on the other hand, I feel that I try to distance myself between Tokyo’s inhabitants. I’m afraid of offending them, so I’ve always been terrified of any interactions with them. It’s pretty contradictory, loving a city but being afraid of its inhabitants. I’m always left scratching my head when I think about this. I suppose it’s because I don’t know them so I don’t fully understand them. The best thing for me to do is to probably go and learn Japanese.”


矛盾

“东京对我来说是一个很好的地方,很好的城市,充满了各种各样我喜爱的画面和颜色,我一直对这个地方充满好奇心。而相反东京人常让我觉得有点退避三舍,因为很怕会冒犯到他们所以一直很害怕和他们接触,其实在这样的关系下是挺矛盾的,喜欢一个地方却对当地人退避三舍,每次想到这都让我觉得很奇怪,可能是因为我不认识他们还不了解他们吧,所以只好去学日文了解。”

Time Machine

“A great photo should be an image that inspires others or one so powerful that it refuses to leave the minds of viewers. The most important part is the inspiration. The definition of a great photo now and what can be considered as a great photo in the past have drastically changed. Fifty or sixty years from know, I wonder if photos from now would be as intriguing as the older, classic photos that we look at in awe today. Sometimes I wish I had a time machine so I could go into the future and find out.”


时光机

“好照片应该是可以让人产生灵感或不断在观者里不断浮现的吧,最重要的还是那一道灵光。现在好照片的定义和以前已经不太一样了,我不知道这个时代的经典照片在五六十年后再看会不会和我们现在在看过去经典的照片一样有吸引力,这是我一直很想坐时光机去看看的事情之一。”

As we concluded our conversation, we asked if Puzzleman had any specific message that he wanted to communicate to viewers. Instead of answering, Puzzleman asked us: “What I want to know is, with the way that people mass consume photography nowadays, don’t they get tired of it? Have you thought of what happens if one day people get tired of photography?” If you have any thoughts to share on the matter, drop by any one of Puzzleman Leung’s social media pages and share your thoughts!


最后,当我们问起关于摄影有什么想和读者分享的时候,Puzzleman反而回赠我们一个疑问:“其实我反而想问大家,每天看那么多照片,你们会腻吗?有想过如果有一天大家对影像已经没感觉的时候怎么办?”。如果你对于这个问题有任何想法,或者想更了解这位有趣的摄影师,不妨去他的社交网络页面给他留言解答吧。

Websitepuzzlemanleung.com
Facebook: ~/Plzmanleung
Instagram:  @puzzleung
Flickr: ~/puzzlemanleung

 

Contributor: Ye Zi


网站puzzlemanleung.com
脸书: ~/Plzmanleung
Instagram@puzzleung
Flickr~/puzzlemanleung

 

供稿人:  Ye Zi

Shanghai Love Notes

“When I first came to Shanghai, I didn’t like it very much,” says Gabby Gabriel, the founder of Shanghai Love Notes, who describes the photo series as a passion project. “The city seemed cold and there were a lot of things that I saw that didn’t sit right with me. Looking back now, I can say that Shanghai changed me. It taught me to look for goodness, kindness, and happiness amongst the mundane. Shanghai Love Notes reminds me of how I can find ‘love’ anywhere, just by looking a little closer.” Now, Gabriel finds great enjoyment in roaming the streets of Shanghai with a camera in hand, waiting for that moment of inspiration.


“刚开始来上海的时候,我并不太喜欢这座城市,感觉它就是一座很冷漠的城市,有很多让我难以接受和理解的事情。现在回过头来看,我可以说上海改变了我。 它教会我在平凡中发现好意、善良和幸福。‘Shanghai Love Notes’(上海爱情笔记)这个项目提醒着我,无论身在哪里,只要再走近一些,你总是能发现‘爱’的。“Shanghai Love Notes网站的创始人Gabby Gabriel认为,这是一个关于充满热情的项目。她喜欢漫游于上海的街道,拿着相机,等待捕捉灵感闪现的一刻。

Gabriel initially began making “love notes” from an app that simulated typewriter font. These creations eventually led her to couple typewritten poetry with images that she snapped while venturing throughout Shanghai. “Behind each ‘love note’ is a life moment that I feel compelled to share. Shanghai is my home now and I want nothing more than to tell its story.”


最初,Gabriel只是在一个模拟打字机字体的应用程序上创作“爱情笔记”,慢慢地, 她开始将自己创作的诗句与她在上海街头拍摄的影像结合起来。“在每一句‘爱情笔记’背后,都是生活中某个我想要分享的时刻。现在,我已经把上海当作是我的家,我只想讲述关于这座城市的故事。“

Websiteshanghailovenotes.com
Facebook~/shanghailovenotes
Instagram@shanghailovenotes

 

Contributor: Whitney Ng


网站shanghailovenotes.com
脸书~/shanghailovenotes
Instagram@shanghailovenotes

 

供稿人: Whitney Ng

Losing Identity

After reading the book Street Photography Now back in 2014, Pushkar Raj Sharma was inspired to pursue photography. Equipped with a camera in hand, he began spending all of his free time roaming the streets of New Delhi. “I searched the streets for certain moments,” he says. “I wanted to capture special moments that would accurately illustrate life in India. In my photos, I want to show the country’s richness, its frustrations, and most important of all, the spirit of its people.”


Pushkar Raj Sharma对街头摄影的爱好起始于2014年,那时他看了一本名为《Street Photography Now》的摄影书,之后他拿起相机,开始了对街头摄影的摸索。Pushkar喜欢将工作以外的时间花在街上,游走在这个城市里。我一直在街上寻找一些特别的瞬间,让它们塑造出一个活生生的印度,你能在照片里看到它的生命,它的丰盛,它的烦恼和忧郁,当然最重要的是,看到生活在这里的人们的精神。

Working a full-time job in IT, Sharma rarely had time to travel. As a result, his hometown of New Delhi became the focal point of his photography. His Losing Identity photo series consists of candid street snaps of the city’s inhabitants, all depicted as anonymous individuals with obscured faces. From a man with a pink facial mask to strangers carrying cardboard boxes and women conversing through the fabric of their saree, the series masterfully uses this anonymity, this deletion of their personalities and identities through Sharma’s attentively composed frame, to form a narrative that explores a common thread that connects these individuals from different walks of life.


Pushkar的正职其实是IT行业的从业人员,因为工作的关系他很少有机会外出旅行,所以他的家乡——德里,成了他照片中不变的主题。这几年中,Pushkar在德里街头拍摄了不少照片,他将其中的一些整理为一个摄影系列,名为“Losing Identity”。照片里有敷着粉面膜纸的男人,搬运着纸皮箱的工人,透过面纱谈话的女人们等等,他们的面部都被各种物件遮挡住了,你看不见他们的真实样貌,也好像抹去了他们的性格或身份。但有趣的是,通过这种方式,不同的陌生人也能被一种相同的元素串联起来了。

The series led Sharma to confront an identity crisis of his own. In today’s world, with the ubiquity of smartphones and digital cameras, almost everyone can become a self-proclaimed photographer. With photography now easily accessible to many people, the art of photography has been, unfortunately, devalued. The internet is flooded with a deluge of photos processed using similar filters, leading to a few certain styles being cemented in the minds of the masses as aesthetically pleasing. This shaping of what is considered “good” has led to people being afraid of creating and experimental with unique, unconventional styles. Musing on his own identity as a photographer, Sharma often ponders, “Have I lost my identity on the streets while trying to establish one?”


这系列作品让Pushka思考起身份认同危机(identity crisis),在相机和手机高度普及的今天,每一个人都可以成为摄影师,但也正因为摄影变的简单了,摄影艺术的独特性也仿佛在同步被腐蚀,网络上每天生产着大量相同风格相同美学的照片,这让人们的审美变的趋向统一,丢失了原本每个个体该有的独特个性。当我站在街头按下快门制造一张照片的时候,我是否也在慢慢丢失我自己的独特身份?

Websitepushkarrajsharma.com
Instagram: @pushkarrajsharma

 

Contributor: Ye Zi 


网站pushkarrajsharma.com
Instagram: @pushkarrajsharma

 

供稿人: Ye Zi 

Cinematic Tokyo

Cinematic Tokyo is a series from Dutch photographer and cinematographer Stijn Hoekstra. After initially developing his photography style in his native home of Amsterdam, Hoekstra planned to bring his visual approach to photographing other cities. The Cinematic Tokyo series was made possible when Hoekstra was commissioned to shoot a documentary on a flower artist in Tokyo, giving him the opportunity to capture the streets during his free time. Hoekstra says, “Whenever I work in another country, I try to book some extra nights to do the thing I like most – photographing the city in my own way.”


《Cinematic Tokyo》(电影东京)是由荷兰摄影师和电影摄影指导Stijn Hoekstra创作的摄影作品系列。在家乡阿姆斯特丹期间,Hoekstra初步形成了自己的摄影风格,之后,他便计划利用自己的视觉创意在其它城市进行拍摄。《Cinematic Tokyo》系列是Hoekstra受委托前往东京为一名花艺师拍摄纪录片期间所创作的。一有空,他就会走上街道进行拍摄。Hoekstra说:“每次我去到另一个国家工作时,我都会多住几晚,去做自己想做的事情——用自己的方式拍摄这座城市。”

Hoekstra draws from his background as both a photographer and a cinematographer to bring his audience a unique perspective on visual storytelling. He says, “I always try to take a cinematic approach in my photography. Every picture is shot with a wide angle lens, and I’m always looking for different perspectives.” Through particular attention to subject, lighting, and composition, each of Hoekstra’s images manages to tell a story in a single frame.


Hoekstra利用自己作为摄影师和电影摄影指导的经验,为观众带来独特的视觉叙述视角。他说:“我总是试图以电影方式来进行摄影。每张照片都是用广角镜头拍摄,我也一直会去寻找不同的视角。“Hoekstra的摄影作品尤其关注拍摄对象、光线和构图,每张单独的照片都像是在讲述一个故事。

Color grading plays a major role in Hoekstra’s creative process and is essential in bringing out the cinematic quality of his images. According to him, “Color gives the photo the mood it deserves. It took a lot of time to develop this particular style, and it’s still developing.” Hoekstra continues his Cinematic city series in New York and Cuba.


调色(Color grading)是Hoekstra的创作过程中的重要部分,对于提升其照片的影像品质十分关键。他解释道:“色彩赋予照片相应的情绪。我花了很多时间来掌握这种特殊的风格,并且还在不断地学习。“接下来,Hoekstra将继续在纽约和古巴创作自己的《Cinematic》电影城市摄影系列。

Behance~/stijnhoekstra
Instagram@stijnhoekstra

 

Contributor: George Zhi Zhao


Behance~/stijnhoekstra
Instagram@stijnhoekstra

 

供稿人: George Zhi Zhao