French-Canadian photographer Jasmin Gendron began learning his way around photography from the dark rooms of his local high school. As of 2010, he began to shoot predominantly in digital, whilst occasionally shooting 35mm film for personal projects.
法裔加拿大摄影师Jasmin Gendron开始接触摄影是在家乡高中学校的暗房里。在 2010 年之后，他多数用数码相机拍摄，不过有时在创作个人作品的时候也会用到35毫米胶片相机。
“I try to use street photography to immortalize energy and emotions from magnificent, human and sometimes comical scenes, with a poetic, subtle and unobtrusive approach.” Jasmin describes himself as an autodidact, with the inspiration behind his photography style stemming from Japanese culture. He spent a full year immersing himself into Japan and actively absorbing his new surroundings. “I like how the environment impacts human actions and decision in peoples’ everyday lives.”
Jasmin’s photo series Ghost Town Ni Naru was captured over a two-year period in his wife’s hometown of Nikko in Japan’s Tochigi prefecture. Jasmin had been subconsciously observing the city for the past decade, and describes it as his perception of a “grotesque scene,” in the sense that Nikko was slowly becoming a ghost town. This project is an active reminder that no place is unchanging and the sense of loss is acutely expressed throughout each image.
Jasmin的摄影作品系列《Ghost Town Ni Naru》是他在妻子的故乡——栃木县日光市生活的两年期间所捕捉的影像。Jasmin一直下意识地在观察这个城市在过去的十年的发展，研究日光市是如何渐渐变成今日的一座鬼城，而他称这种变化为一种“奇景”。视觉上，这系列作品提醒着人们，没有一个地方是永恒不变的。他的照片中总透露着一种失落的情绪。
Whilst Nikko may be well known for its beautiful traditional shrines and temples, this project seeks to present an aspect of Japanese culture that does not conform to the stereotypical idea of Japan. “This is a sad series. I tried to capture how it must feel for my wife, for her family members and friends, when they take a deeper look at the places where most of their memories come from.”