Tag Archives: school

School Bullying

Bullying is an issue that affects schools and individuals all over the world, whether it be physical, verbal, or emotional. It’s an imbalance of power where the strong leverages their physical strength or popularity to inflict harm on their peers. In recent times, school bullying has been a topic that’s attracted much discussion worldwide. However, despite media scrutiny and growing awareness on the full extent of the issue, bullying culture is something that remains tolerated in today’s society – bystanders are often apathetic and victims commonly choose to stay quiet.

Lean Lui, a 19-year-old photographer from Hong Kong, aims to cast a spotlight on the severity of the issue via her School Bullying photo series. “Being bullied in school is something that can happen to anyone,” she shares. “The subjects in my photos are meant to simply be symbolic. The bullies and victims could be you, maybe me, or anyone else.”


19 岁的女摄影师 Lean Lui 来自香港,她的摄影系列《校园霸凌》(School Bullying),正是想通过镜头展露这个尖锐的问题。“校园欺凌会发生在任何人身上。无论是霸凌者或者是被害者。照片中的女生可能是你、可能是我、也可以是任何人。她们只是一个喻体。”Lean 说。

The Blindfolded


Depicting empty classrooms and drab campus hallways, Lui’s photo series carries a sense of melancholy that’s amplified through her use of dark, subdued colors. Amidst the somber scenes, girls in school uniforms and eyes covered by white blindfolds populate the frames. Lui categorizes these blindfolded characters into two categories: passive bystanders and accomplices to the bullying.



这个系列的相片色调非常阴沉晦涩,空无一人的教室、破旧的学校楼道,而照片里这些穿着制服的女学生,无一例外都用白布蒙上了眼睛。Lean 把她们的角色设定为两种帮凶,第一种是旁观者;第二种是同流合污者。

As such, the blindfolds are symbolic of two different concepts.

“First, it represents self-deception. Some bystanders act like just because they don’t see it, they’re unaware of what’s happening. They might even see themselves as being kindhearted since they’re not directly participating in the bullying. But in reality, their cowardice and selfishness equally perpetuate the bullying culture.”

“Secondly, many bullying accomplices simply want to conform and fit in with peers. They’re not interested in seeing the bigger picture, so they act with a mob mentality and target the outnumbered few. They often realize that they’re an accessory to the bullying, but are equally blinded by their weakness and cowardice, and will side with those in power. Being that eyes are windows to the soul, depicting them with blindfolds is meant to represent that these accomplices are nothing more than soulless creatures who are following the herd.”

所以 Lean 在作品中用纱布蒙上她们的眼睛,也代表着两重含义。



“Your Past & Memories Are the Bedrocks of Life”


Currently a college sophomore, Lui admits to having been a victim herself in the past. The young photographer has experienced feelings of humiliation from emotional abuse first hand.

Lean shares, “Many people say my work carries a feeling of hopelessness and loneliness. I recognize that a lot of the themes I explore are more emotional in nature, and the way I express these emotions tend to be more abstract or reliant on symbolism. I suppose my preferred approach is in itself shaped by my past. Even though many of my past memories aren’t exactly happy ones, they’ve ultimately been beneficial to me. One phrase that a past teacher said to me especially resonates with me now. ‘Your past and memories are the bedrocks of life.’”



很难想象,镜头背后的 Lean 才是刚刚读大二的女生,她也曾是个“受害者”,也经历过这样晦涩而羞辱的时期。

“很多人说我的作品总是有些苍凉、敏感跟孤独的感觉,我也留意到自己多数的题材都是比较情绪化的;而表达手法方面也会比较抽象,较多暗喻,这些都应该就是我的过去的那段经历塑造出来的吧。” Lean 说。“那段回忆虽然不快,但最后对我的影响暂时看起来也挺好。我很喜欢老师对我说过的一句话:‘过去跟回忆都是养分。’

One thing is clear, the issue of bullying isn’t as cut and dry as it might appear on the surface. It’s not only important for Lui to raise further attention to the issue of bullying, she seeks to understand the motivations behind it. She questions, “Is it just human nature?”

“People want to feel superior; this is probably the primary motivation of bullies. They feel accomplished and superior when they’re exerting control on their victims. Those who are accomplices to the bullying is an example of people being herd animals. Whether consciously or subconsciously, they’re aware that if they’re not participating in the bullying, then it could be them next. So there’s no reason to not join in.”

但显然,这一切暴力霸凌的现象,都并非表面上看到的这么简单。深思校园霸凌的诱因,Lean 有些不安地讲出她的答案:“可以说是‘人性’吗?”


Those who are unfortunate enough to fall prey to bullies are generally individuals who are less conforming. Reasons for bullying could be something as simple as that the victim is less outspoken, more introverted, or even because they’re performing better academically.

Lui hypothesizes, “People like to push away the things they don’t understand, no matter what kind of cultural backgrounds they come from. When they don’t accept something, they’ll find ways to exclude them or hurt them. Bullying seems to occur more often in middle school or high school when the kids are still immature and don’t quite understand the full consequences of their actions.”


Lean 认为,“人本质上喜欢排挤跟自己不一样的东西,无论在什么文化背景下,都会有‘主流’与‘少数’的存在。在包容度不足时,看到跟自己不一样的人就会选择去作出排挤或是伤害的行动。而校园欺凌较常发生在小、中学,那时候孩子们的思想通常较为不成熟,也不懂如何去控制自己的行为。”



As she grew older, Lui began to see both sides of the story, gaining a better understanding of both the bullies and the bullied. Her past experiences made her want to understand the psychology of humans. This is the ‘bedrock’ that she spoke of, learning from her experiences and wielding that knowledge in her creative works as a testament to her own personal growth. This series is a way for Lui to share her outlook and experiences with the issue, and in doing so, Lui hopes to invoke a sense of empathy in the viewers, and in turn, help them shed their own blindfolds.

“If people even feel the least bit uncomfortable when looking at the series, then I hope they can see how these similar feelings are amplified a thousandfold for the bullied. But bullies are human too – they have feelings and experience sadness. So I hope that the next time they’re about to bully someone, they can pause, consider the motivations behind their actions, and imagine how they themselves would feel if they were the victim.”



在漫长的成长过程中,Lean 渐渐学会了同那个曾被欺凌的自己和解,然后又一步步走向对社会、对人性更深层的理解。这是她所说的“养分”,亦是她成长和蜕变的见证。Lean 试图通过自己的摄影作品,以期在某种程度上唤起施暴者的同理心,剥下“蒙在他们眼前的纱布”。


Another goal of the series is for it to act as a voice for bullied individuals. “You’re not wrong. They’re just uninformed. You’re not alone. This is something that happens to many others all over the world. It is what it is. Even if you’re rejected by your peers because you’re different, you still don’t need to feel like you need to conform. That would be a shame. I think that being different is a good thing. You shouldn’t forgive them, but you also don’t need to harbor hatred, because when you feel angry, then they’ve won. It would be foolish to let them win. You can reexamine the situation from a different perspective and understand there’s value in learning from the experience.

Lui continues, “One of my teachers also told me something that really resonated with me: ‘I’m scared of you being different from others, but I’m even more terrified of you wanting to conform.’ This is the same message that I want to share with everyone.”

另外一个作用,Lean 想给予被害者一个出口跟勇气。“‘你’没有错,只是‘他们’还没长大;‘你’也不孤独,这件事情在世界各地都很常见,不用把这件事看得太重。因为与众不同而被孤立的话,不要想着将自己同化,那样太可惜了。而且,我觉得‘特别’是一件好事情呢。‘你’应该不会原谅他们,但是你也不要去憎恨他们了,因为生气就等于自己服毒却等别人死亡一样,很傻;可以尝试换个思维方式,从经验中获取或者学习一些东西,那样才有价值。”

Lean 传递出来的态度温柔而坚定:“老师曾对我说:‘我害怕你跟别人不同,但我更加害怕你跟别人太相同’。我也想将这句话转送给大家。”

Website: ~/leanlui


Contributor: Chen Yuan

网站: ~/LeanLui


供稿人: Chen Yuan

The Foxgrove

The Foxgrove is a new boutique electronic music and DJ school that opened late last year in New York City. It was created for beginner-level music lovers, who have absolutely no production skills and probably never imagined being able to make their own music. Co-founder Natalie Lam, who originally is from Hong Kong and previously had worked 20 years in the advertising industry, actually prefers to think of The Foxgrove not as a school, but more as a “music social club” or a “fine learning experience”.

The Foxgrove是一所电子音乐和DJ的精品学校,于去年年底开设于美国纽约。这间学校是为毫无制作经验,甚至可能从未想象过拥有能力制作自己的音乐的入门级音乐爱好者们所设。联合创始人Natalie Lam,这位前20年致力于广告业的原香港人,更乐于不把The Foxgrove看成一所学校,而更多是一个“音乐社交俱乐部”,或者是一个“极佳的学习体验”。



She believes that most people’s knee-jerk reaction to the idea of schools is not necessarily a positive one, but aside from the learning part, how The Foxgrove functions is unlike how traditional schools work. For both Natalie and co-founder David Maurice, creating a comfortable learning environment was really important. They decided at the beginning to get rid of the things that they didn’t like about schools, namely the “bad lighting, coldness, rigidness, discipline, (and) pressure”, and add the things that they would have liked to have had in school.

她相信,大多数人对于学校这个概念的本能反应不见得是积极的,但是除开学习部分,The Foxgrove的运作与传统学校则是大相径庭。不管是对于Natalie,还是另一位联合创始人David Maurice来说,创造一个舒适的学习环境相当重要。他们一开始就决定去除学校中他们不喜欢的东西,即“糟糕的光线,冷清,坚硬,纪律,(以及)压力”,加入他们希望一些学校有的东西。

The space of The Foxgrove was designed with “organic luxury in mind”. They used “ample wood, leather and fabric elements to create an intimate, relaxing space to offset the brand new music gear”. For Natalie, it was important that people didn’t feel intimidated by some of the challenges of having to learn and work with new technology. Some of their past students have likened the experience of attending a class at The Foxgrove to “learning to remix EDM in a spa”, while Natalie herself likes to describe it as a “boutique hotel meets recording studio”.

The Foxgrove的空间设计上应用了“有机奢华”。他们用“大量木料、皮料以及织物元素去营造一个私密放松的空间去陪衬崭新的音乐器材”。对于Natalie来说,让人们不被应用新技术所遇到的挑战吓退是很重要的。他们过去的一些学生曾将在The Foxgrove上课比作“在SPA中学习电子混曲”,而Natalie自己本人则喜欢说它是“精品酒店遇见录音工作室”。

The Foxgrove believes that the future of music in this digital age will go beyond streaming music and will also involve the democratization of music production. Natalie says, “We all love music. A hundred years ago, many people played music in their homes. It was only in the past fifty years that music was monopolized and commoditized by the record industry – music was put on a high pedestal. Music creation was reserved by the industry for the few who are ‘talented, charismatic, and connected’ in order to make massive profits.” The Foxgrove believes that with the current advancement of electronic music technology, more and more people can become the creators of music without even relying on record labels. With the technology becoming more accessible and affordable, the future of music may soon lie in the hands of music lovers and amateur producers. Natalie says, “We want to be the portal for those who never thought of touching music to get the first sweet taste.”

The Foxgrove相信在这个数码时代中,音乐的未来会超逾流媒体音乐,也将迎来音乐创作的普及化。Natalie说: “我们都爱音乐。一百年前,很多人在自己家中演奏音乐。仅在过去的五十年间,音乐就被唱片行业垄断和商业化了,音乐被高置神坛上了。音乐创作被预留给‘有才华、有魅力、有关系’的少数人以大举逐利”。The Foxgrove认为当下电子音乐技术的发展中,越来越多的人可以无需依赖音乐厂牌就能成为音乐创作人。随着技术的越来越触手可及,音乐的未来可能很快就被掌握在音乐爱好者和业余创作人的手中。Natalie说: “我们想要当一个传送门,让那些从未想过触碰音乐的人得到美好的音乐创作初体验。”

So far, The Foxgrove have had over 300 students attend their school. They are mostly young professionals looking for a new hobby or teens from high school. Their approach to classes and workshops is to provide their students with useful music education in digestible quantities that are short and sweet. There are music introduction classes that cover about 80% of the basics of music production and DJing, and there are also more advanced courses for those who are more serious. The focus is mostly on having fun, and turning the idea of music production into a mainstream hobby, like going for yoga class after work or going to catch a movie during the weekend. Similar to how Instagram and digital photography have in recent years helped democratized and popularized photography, The Foxgrove is looking to help bring music creation back into the lives of people. In the future, they are looking to expand globally to other important creative hubs, in cities such as Shanghai, Hong Kong, Beijing, and elsewhere in Europe.


迄今,The Foxgrove已有超过300个学生加入他们的学校。这些学生多数是寻求一个新爱好的年轻职业人士或高中青少年。学校的课程和研讨班,以短而精易为消化的数量,为学生们提供有用的音乐教育。这里拥有初阶课程,其包含了80%的音乐制作和DJ基础知识;也有更高阶的课程,以满足有更进一步追求的学生。这里的注重点多数还是在于享受乐趣,以及将音乐创作转化为一个更为主流的爱好,好比下班后上瑜伽课或者周末看场电影。与Instagram和数码摄影近年为摄影的普及化和流行化助力相似,The Foxgrove期望可以将音乐带回人们的生活里。他们期待着在未来可以扩展到全球其他重要的创意中心去,例如上海、北京、香港这样的城市,以及欧洲。



Contributor: Leon Yan
Video & Images Courtesy of The Foxgrove



供稿人: Leon Yan
视频与图片由The Foxgrove提供

The Factory Studio & Arthouse

The Factory Studio & Arthouse is a studio and art school in Bangkok, Thailand. It was founded in 2011 by Jeep, Keng, Name, and Tung as a collective collaboration and shared space. They are respectively: an illustrator, a painter, conceptual cupcake artist, and sculptor.

The Factory Studio & Arthouse เป็นสตูดิโอและโรงเรียนศิลปะในกรุงเทพ ประเทศไทย มันก่อตั้งขึ้นโดยจิ๊บ เก่ง เนม และตั้งในปี 2011 ในฐานะที่เป็นพื้นที่ส่วนรวมสำหรับการร่วมมือทำงาน พวกเขาเป็นนักวาด นักระบายดี ศิลปินออกแบบคัพเค้กและนักปั้น ตามลำดับ

Mainly targeted toward teenagers and kids, The Factory is a learning institute that helps them prepare for college entrance exams or general studio arts education. What is most unique about the Factory is not that it also functions as an artist studio to work in, but that the entire environment is very much handmade and analog. Students are taught how to draw, render, and create by hand. Logos, advertising campaigns and billboard graphics are all painted by hand with the precision of computer vectors but the unmistakable quality of hand rendering.

The Factory หลัก ๆ แล้วมุ่งเป้าให้กับวัยรุ่นและเด็ก มันเป็นศูนย์การเรียนที่ช่วยให้พวกเขาได้เตรียมเข้ามหาวิทยาลัยและการให้การเรียนการสอนศิลปะในสตูดิโอโดยทั่วไป สิ่งที่พิเศษสำหรับ The Factory ไม่ได้เป็นเพียงแค่ว่ามันยังใช้งานเป็นสตูดิโอสำหรับศิลปิน แต่สิ่งแวดล้อมทั้งหมดของมันยังสร้างด้วยมือ มีการสอนให้นักเรียนวาด ฉาบปูน และสร้างโดยมือ มีการวาดโลโก้ ทำแคมเปญโฆษณาและกราฟิกบิลบอร์ดโดยมือ ซึ่งกำหนดทิศทางโดยคอมพิวเตอร์อันแม่นยำ ดังนั้นจึงมีคุณภาพในการทำผลงานด้วยมือที่สูง

Modeled after Warhol’s Factory, the studio/arthouse came about when the four childhood friends discussed creating a dream space for making artwork as well as sharing it with younger generations. The Factory is centrally located in Bangkok down a quiet soi.  The modest two-story building is painted with excerpts of Clowes’ Art School Confidential on its walls. Portraits of Andy Warhol, Pantone swatches, fresh flowers, bicycles, and a sleeping weiner dog all contribute to its casual charm.

สตูดิโอ / บ้านศิลปะดังกล่าวเลียนแบบมาจาก Warhol’s Factory มันได้รับการสร้างให้สำหรับเพื่อนในวัยเด็กสี่คน เพื่อทำการปรึกษากันเกี่ยวกับการสร้างพื้นที่ในฝันสำหรับการสร้างศิลปะ และแบ่งปันมันให้กับวัยรุ่น The Factory ตั้งอยู่ในใจกลางกรุงเทพในซอยอันเงียบสงบ ผนังตึกสองชั้นได้รับการวาดด้วยเรื่องย่อของ Clowes’ Art School Confidential  มีรูปวาดของ Warhol, ผ้า Pantone, ดอกไม้สด จักรยาน และสุนัขนอนหลับ ซึ่งสร้างมนต์สเน่ห์ให้กับสถานที่นี้

Sculpting, block printing, rubber stencil carving, painting, paper cutting, and drawing are all offered in the curriculum. In addition, the studio space is used for exhibitions, workshops, and to support various fields of art and events.

มีการนำเสนอหลักสูตรรูปปั้น การพิมพ์บล็อก การแกะสลักยาง การตัดกระดาษ การทาสี และการวาดภาพ นอกจากนี้ พื้นที่นี้ยังได้รับการใช้งานสำหรับนิทรรศการ เวิร์กชอป และเพื่อให้การสนับสนุนศิลปะและกิจกรรมหลายแขนง

924/5 Soi Ruamrudee2 Ploenchit Phatumwan Lumpini
Bangkok 10330

Hours: 10am~5pm
Phone: +6689-164-5304 / +6684-104-0433


924/5 Soi Ruamrudee2 Ploenchit Phatumwan Lumpini
Bangkok 10330

เวลาเปิดทำการ: 10am~5pm
หมายเลขโทรศัพท์: +6689-164-5304 / +6684-104-0433
อีเมล: thefactory-studio@hotmail.com

เว็บไซต์: thefactorybkk.com

Contributor: Jia Li
Photography: Jia Li

ผู้สนับสนุน: Jia Li
ช่างภาพ: Jia Li