The work of cultural anthropologist and documentary photographer Jo Farrell combines her innate love for Asia and a self-described desperation to capture disappearing worlds. Her fascination with the region’s rich culture and her desire to explore women’s traditions compelled her to create her photo book Bound Feet Women in China. Over tea in a tiny restaurant tucked away in the depths of central Hong Kong, she relayed how she felt compelled to shed light on an age-old societal issue – the lengths that women will go in search of acceptance, appreciation and self-worth. “We all seem to be obsessed with our flaws and do not celebrate our differences or individuality,” she commented. “I wanted to explore why women alter their bodies to be more attractive.”
This passion project turned photography book has spanned nearly 11 years; Jo has returned to China year after year, photographing a total of 50 bound feet women. “The most memorable moment of this project was when I met Zhang Yunying, the first women I documented with bound feet. The pain and suffering she must have gone through to be considered beautiful, desirable and marriage worthy made me question the extreme lengths that we, as contemporary women, will still go in order to be accepted in our own society. Since then, I have held almost 20 pairs of bound feet in my hands; often the woman will appear embarrassed and I assure them they have nothing to be ashamed of.”
这本摄影集来源于一个充满热情且跨越了近11年的摄影项目。
When shooting in China, Jo is completely in her element. Armed with her trusty Hasselblad 500, a macro lens and plenty of film, she interviews and photographs from morning until sunset, making the most of the day’s natural light to capture breathtaking black-and-white portraits of her subjects. “I believe that film photography is a fine art. There are only 12 frames on a roll. You have to be very precise and know what you want to capture. I print all of my photographs, full frame and no cropping – what you see is what I intended to photograph. To me, the whole process of developing film and working in the darkroom is just pure art. I love the whole process from conception to exhibition.”
在中国拍摄时，Jo Farrell如鱼得水——带着她最信赖的Hassleblad 500 相机，一支微距镜头和大量的胶片。她的采访和拍摄工作往往从早上一直持续到日落，只为了充分利用白天的自然光线，以拍摄出令人赞叹的黑白肖像作品。“我相信，胶片摄影是一门艺术。每一卷胶片只有12帧。你必须要非常精确，清楚知道你想捕捉的东西。我会将我拍摄的所有照片全部打印出来，整幅打印，不作任何裁剪，你看到的照片就是我想要拍摄的照片。对我来说，冲洗胶片的过程和在暗室里的工作都是纯粹的艺术。我喜欢从概念到最终展示出成品的整个过程。”
Jo’s next photography project will take her to rural Myanmar where she will be photographing the brass neck-coiled Kayan women. She hopes that her works will continue to lend an intimate voice to stories otherwise untold and that each photograph can be seen as a celebration of the women that she has been honoured to meet throughout Asia.
Jo Farrell的下一个摄影项目是前往缅甸的农村，在那里，
