Plastic Memories 山寨的真实

March 25, 2019 2019年3月25日

Made in Hong Kong is a zine produced by the Hong Kong artist Chan Hiu. Each issue contains a different toy, such as a plastic gun, a slinky, or a build-it-yourself camera, stirring the childhood recollections of a whole generation. Her idea with this combination is to write the history of Hong Kong’s “knock-off” toys and pay homage to a significant piece of culture that’s gradually disappearing from sight.

“‘Knock-off toys’ is a term for the substitutes for expensive name-brand items made by Hong Kong’s toy industry in the 1950s and 1960s,” Chan explains. “Back then the city’s toy industry was world-famous, but a lot of what it made was for export, with extremely high prices that most locals couldn’t afford. So the factories gave leftover materials to knock-off producers.”

Knock-off producers were an important link in Hong Kong’s toy industry, and you might say they bore witness to its rise and fall. “Yet today, when people talk about knock-off toys, they don’t usually have in mind the old ones from Hong Kong, but the rip-offs made in mainland China, according to my survey results,” says Chan. “So Hong Kong’s knock-off toys have begun to fade from the memories of a generation.”


《山寨玩具》(《Made in Hong Kong》)是一系列由香港艺术家 Chan Hiu 创作的 zine,每一期都搭载了一种怀旧感十足的玩具,如塑胶手枪、弹簧、和组合相机,勾起一代人小时候的记忆。这本玩具书意在书写“香港山寨玩具”的历史,向现在已逐渐消逝在大众视野里的重要文化致上敬意。

“山寨玩具一词来自50至60年代的香港玩具业,指的是高价正版玩具的替代品。” Hiu 解释道。“香港玩具业在当时是世界知名的,但大多是用于出口,价钱十分昂贵,一般巿民都负担不起。所以玩具厂会把剩下的材料分给山寨厂去工作。”

山寨厂是香港玩具业发展非常重要的一环,可以说是见证了整个产业的兴衰。“而在现今,人们提起山寨玩具一词,大多不会联想到香港的旧玩具,反而是中国大陆的翻版玩具(从我的问卷调查所得来的结果)。此一陪伴多数人童年的文化就这么随着岁月,消逝在上一代香港人的回忆录里。”Hiu 如此说道。

Chan’s been a toy lover ever since she was a kid. She still has memories of playing with all kinds of toys with her brother, competing in games whose rules they made up themselves. Even today, they sometimes look back on the adventures those toys were a part of. Those toys are a unique part of Hong Kong’s collective memory. But over the last few years, Chan has watched as the small shops that sold them—a common sight when she was little—disappear one after another. “Some have been pushed out by big corporations, some of closed up shop because they’re business wasn’t as good as it used to be,” she says.

“Toys bring people together. Whenever I bring up those classic Hong Kong knock-offs, there’s no end to the stories I hear. People here grew up with them, even if they paid them much attention. There’s not much documentation on the history of the city’s knock-offs, and I’m sure that if this irreplaceable part of history isn’t shared, it will quickly be forgotten by the next generation.”

To preserve these cultural memories, Chan has published Made in Hong Kong, a singular and highly unconventional zine. Here’s a short overview of the first three issues:


Hiu 从小就是一个玩具控,回想起小时候,浮现在脑海里的常常是和哥哥一起玩的各种玩具,他们还会自定规则去比拼,甚至到现在也会时不时提起那些有玩具参与的故事。这是香港人无可取代的集体回忆。可是在这几年间,她发现小时候流连的玩具铺开始一个一个地消失。“有些被大财团迫迁,有些是生意大不如前必须结业。”

“玩具把人们的关系拉近,每当提起这些经典的山寨玩具时,总会有数不尽的话题。山寨玩具虽然不起眼,却真实陪伴了香港人长大。然而社会里却没有太多纪录它们的文献资料。我深信这段珍贵的历史如果不再被分享,很快就会被新一代遗忘。”

为了保存这样的文化记忆,Hiu 发表了《山寨玩具》这样前所未见又意义非凡的作品。接下来将简单介绍目前三期:


 

Vol.1 山寨重塑 / Knock-off Remake

“Knock-off Remake” is a booklet that introduces Hong Kong’s knock-off toys. Its front cover contains a plastic toy gun, and its back cover also evokes packaging design. Flipping through this booklet is like flipping through the history of knock-off toys and seeing their development over time.


山寨玩具系列《山寨重塑》是一本介绍香港山寨玩具的入门书。封面固定了一把塑胶玩具手枪,封底也参考了玩具的包装设计。翻阅这本书,就好像在翻阅山寨玩具发展的历史和故事。

 

Vol.2 山寨时轴​​​​​​​ / Knock-off Timeline

The second installment of Made in Hong Kong, “Knock-off Timeline,” gives a chronology of the development of the city’s knock-off toys. The issue’s format evokes the classic slinkies of the 1970s.


山寨玩具系列第二期《山寨时轴》展示了香港玩具发展的时间轴 ,形式设计则参考了70 年代经典的玩具弹簧。

 

Vol.3 山寨留存​​​​​​​ / Knock-off Preservation ​​​​​​​

The latest issue of Made in Hong Kong, “Knock-off Preservation,” uses a toy camera to record the few remaining variety stores, stationer’s, and places that once sold knock-off toys. It aims to document them before they’re gone, and to raise people’s awareness. The zine is designed like a plastic toy camera: after assembling the pieces, which are printed on a 3D printer, the reader can turn a gear to move the film and delight in the photos inside.


山寨玩具系列的最后一期《山寨留存》,以玩具相机去纪录硕果仅存的杂货店、文具店、和一些曾经售卖过香港山寨玩具的地方。希望在它们消失之前作纪录,提升大家的关注。这本书依照塑胶玩具相机去设计,使用3D印刷方法,组合好配件后,便可以扭动齿轮去带动相机内的胶片卷,欣赏当中的照片。

Website: chanhiu.com/
Behance~/chanhiu

 

Contributor: Yang Yixuan
English Translation: Allen Young


Website: chanhiu.com/
Behance: ~/chanhiu

 

供稿人: Yang Yixuan 
中译英: Allen Young

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