The Major Arcana

October 10, 2017 2017年10月10日
The Empress (III)

Tang Xiao Ming is a Malaysian illustrator with a passion for editorial illustrations and visual storytelling. His illustration series, The Major Arcana, is an editorial approach to the twenty-two card tarot suit. Often used for divination and occult purposes, the Major Arcana has been understood as an archetypal system for psychological and spiritual advancement and has been reinterpreted by numerous artists since its invention in the 15th century.


马来西亚插画家Tang Xiao Ming热爱刊物插画和视觉叙事创作。他的插画系列《Major Arcana》(大秘仪)就是以塔罗牌中的22张主牌Major arcana为灵感创作的刊物插画。Major Arcana 通常用于占卜和其它神秘的用途,一直以来,它被人们视为是一个有关心理和精神层面发展的原型系统,自15世纪问世以来,已经被无数艺术家重新诠释过。

The Hanged Man (XII)
The Hierophant (V)
The Sun (XIX)
The Magician (I)

Tang’s interpretation of the Major Arcana series was a stepping stone for his personal style, which brought about its own challenges and rewards. He tells us about the creative process behind the series: “As an artist, sometimes you’ll run into a brick wall creatively, but it’s only temporary and it has the potential to change your life. It’s only from being stuck that you will start to think differently, and your creative process is forced to change. Because of this, it will unlock further possibilities in life and work.”


Tang以自己个人风格来演绎《Major Arcana》,当中也带来了相应的挑战和收获。他跟我们分享了这一系列创作过程的故事:“作为一名艺术家,有时候你会碰到创意方面的瓶颈,但它只是暂时性的,并且有可能会改变你的生活。只有当你感觉遇上了瓶颈,你才会开始有不同的想法,从而迫使你改变自己的创作思路。正因为如此,它会为你的生活和工作带来更多的可能性。”

Temperance (XIV)
Strength (VIII)
The Emperor (IV)
Judgment (XX)

Growing up in Malaysia, Tang was influenced by his society’s lack of awareness towards mental health. Instead of drawing influence from local Malaysian art and culture, he focuses on the psychological struggles of young people as a consistent theme in his work. Tang says, “In Malaysia and most of Asia, mental illnesses and psychological factors are not widely talked about – because of this, I think that many of my illustrations are themed around the mind and the emotions, because many of us do not know how to express ourselves or understand who we really are inside.”


Tang自小在马来西亚长大,周围人们对心理健康的意识很薄弱,这一点也影响了他。他没有从马来西亚当地文化和艺术绘画中寻找灵感,而是专注于青少年的心理斗争,将之作为自己的作品中最常见的主题。Tang说:“在马来西亚和亚洲大部分地区,精神疾病和心理健康还没有获得人们的广泛讨论。正因为如此,我觉得自己许多插图作品都是围绕心灵和情感主题的,因为我们当中很多人都不知道如何表达自己,也不了解在内心里面真实的自己。”

The Chariot (VII)
Death (XIII)
The Star (XVII)
The High Priestess (II)

Some of Tang’s early influences include notable comic artists Olivier Coipel and Stuart Immonen, as well as graphic novels like Watchmen. Currently, he identifies his primary influence as visual artist James Jean: “Jean’s paintings deal with the unknown – they are very emotionally driven. They relate to me and inspire me to do what I’ve always loved to do, which is to create. I hope that my creativity will, in turn, inspire others and allow them to understand the way that I feel.”


Tang的早期影响还包括著名漫画家 Olivier Coipe和Stuart Immonen,以及《守望者》等漫画。目前,他说自己最主要的影响是视觉艺术家James Jean :“Jean的画作都是有关未知的主题,蕴含着饱满的情感,让我很受触动,也激励着我去做自己一直喜欢做的事情,那就是创作。通过我自己的创意,我希望可以反过来激励他人,让他们明白我的感受。”

Justice (XI)
The Devil (XV)
The Fool (0)
The Lovers (VI)
The Moon (XVIII)
The Hermit (IX)

Websiteimtxm.com
Instagram: @imtxm

 

Contributor: George Zhi Zhao


网站imtxm.com
Instagram: @imtxm

 

供稿人: George Zhi Zhao

Flesh Love

October 9, 2017 2017年10月9日
Ichika & Arisa

Flesh Love is a photography project by Tokyo-based artist Photographer Hal. Over the years, Photographer Hal has explored the themes of love and attachment by taking photographs of couples in enclosed spaces across multiple projects. For the Flesh Love series, Photographer Hal began to vacuum seal couples together in plastic wrap as a way to examine modern relationships. Photographer Hal tells us more about the story behind his work below.


《Flesh Love》是由东京艺术家Photographer Hal创作的一个摄影项目。多年来,Photographer Hal曾在多个摄影项目中,用镜头捕捉情侣在封闭空间的照片,探讨爱情和迷恋的主题。在《Flesh Love》系列中,Photographer Hal将情侣装在一个巨型真空密封袋中,寓意对现代男女关系的一种审视。Photographer Hal向我们分享了更多关于这些作品背后的故事。

Yuya & Ritsuko
Kazan & Tomoe
Yohei & Yuri
Miho & Ritsu

“When you embrace your lover, sometimes you wish to melt right into them. To realize this wish, I’ve been photographing couples in small and cramped spaces like motels and bathtubs. As my work has become more and more intense, I’ve noticed that communication is indispensable.”


“拥抱着自己的爱人时,有时候你会突然希望自己可以融入他们的身体当中。为了实现这个愿望,我常常选择在狭窄拥挤的空间里拍摄情侣,譬如汽车旅馆和浴缸。随着自己作品的风格越来越强烈,我发现,沟通也是不可或缺的。”

Sakamaki & Makino
Take & Mari
Michico & Yuhei
Yajyu & Kaorin

“I go to Kabukicho in Shinjuku, underground bars in Shibuya and many other places which are full of activity like luscious night time bee hives. When I see a couple of interest I will begin to negotiate. I’m sure that many people initially think of my proposal as unusual or even look through me like I am completely invisible, but I always push forward with my challenge to them. The models appear from all walks of life, and individually, have included musicians, dancers, strippers, laborers, restaurant and bar managers, photographers, businessmen and businesswomen, the unsettled and the unemployed, and so on.”


“我去新宿的歌舞伎町,涩谷的地下酒吧,还有很多地方,都是一些夜生活比较热闹的地方。看到感兴趣的情侣时,我就会跟他们搭讪。我敢肯定,很多人一开始都会觉得我的建议很奇怪,甚至直接无视我,当我不存在,但我会继续说服他们,用激将法问他们敢不敢做我的模特。我镜头下的模特来自社会上的各行各业,他们中有音乐家、舞蹈家、脱衣舞者、劳工、餐厅和酒吧经理,也有摄影师、商人、流浪汉和无业人员等等。”

Rem & Marina
Zinzin & Norico
Ami & Kojiro
Mana & Koji

“This time, I reached the point of photographing couples in vacuum-sealed packs in a set that I’ve constructed in my own kitchen. The lights are in the ceiling, so I just flip one switch and have everything ready. I have a few different colored paper backgrounds, which I leave rolled up in the corner. After the couple gets in the vacuum pack, I suck the air out with a vacuum cleaner until there’s none left. This gives me ten seconds to take the shot. In this extremely limited time I can’t release the shutter more than twice. I’ve been in there myself, and the fear I felt was overwhelming.”


“这一次,我的想法是让情侣装在真空密封袋里拍摄,拍摄地点就在我自己的厨房里。天花板上有吊灯,所以我只需按一下开关,一切就准备就绪了。我有几种不同颜色的纸张作为背景,不用的时候可以卷起放在角落里。情侣进入真空密封袋后,我再用吸尘器吸光里面的空气。然后我只有十秒钟的时间来拍照片。在这极其有限的时间内,我最多只能按2次快门。拍摄的时候,我感觉自己也像是装在真空密封袋里一般,内心也会感到铺天盖地的恐惧。”

Makoto & Shinji
Sachiko & Atsushi
Lim & Kyohei
PinQ & Pomco

“As the shooting continues over multiple takes, the pressure of the vacuum seal grows stronger. At the same time, the two bodies start to communicate, and whether through unevenness of limbs or the curve of joints they begin to draw a shape of what they want to express. The two lovers draw closer until they finally transform into a single being. Looking at these vacuum-sealed packs of love, we can imagine a more peaceful world. For me, the vacuum pack is only a means: the important thing is connecting to someone.”


“随着拍摄继续,真空密封袋里的压力会越来越大。同时,里面两个人开始沟通,通过起伏不平的肢体,或关节的曲线,呈现出一定的廓形,以此表达出他们的想法。两个相爱的人拉近彼此的距离,直到他们最终结为一体。看着这些充满爱意的真空密封袋,会令人联想到一个更和平的世界。对我来说,真空密封袋只是一种手段,更重要的是人与人之间的联系。”

Chihiro & Takeshi
Mihaya & Takao
Yoshi & Naomi
Alice & Kazuya

Website: photographerhal.com

 

Contributor: George Zhi Zhao


网站photographerhal.com

 

供稿人: George Zhi Zhao

The Collage Art of He Chong

October 5, 2017 2017年10月5日

Collage art has been a long-established form of art. It’s a versatile medium that’s unrestrained by conventional forms of artistic expression and can be used to document time, history, and change. Beijing-based artist He Chong is one of the few Chinese artists who work primarily in this medium. But aside from his collage art, He Chong is also an avid photographer whose weapons of choice are Lomography cameras. In a way, his style in both mediums is quite similar, psychedelic and surreal but presented in a unique retro aesthetic.


拼贴是一门悠久的艺术形式,变化多样的作品不仅限于艺术的表达方式同时可以作为记事方式存在。北京艺术家贺翀是目前为数不多的将拼贴作为主要创作手段的艺术家。贺翀在生活中的另一个身份便是与Lomo相机打交道,就如同Lomo的理念一样,复古与迷幻是他的专属风格。

When talking about the current state of collage art in China, He Chong tells us: “Most of the collage works that people know of are made by foreign artists. In China, there are only a few artists that work in this medium, and most of them are art students who might learn about or use collage for a class assignment. But I feel that in both the fields of art and design, collage is a medium that has impressive visual potential. I believe it has a bright future.”


当谈论到拼贴艺术的现状时他说:“目前呈现在大众视野中的作品大多为国外的艺术家创作的,国内只有少数艺术家会用到这个创作手段,大多都是美术学生在上课会学到或者用到这个方式,但不论在设计领域还是艺术领域中,拼贴都可以满足大多数人的视觉需求,所以我想前景应该是一片大好的。”

As a self-described reclusive artist, He Chong spends his free time with his wife creating collages, taking photographs, or walking in the park. He’s someone who has found happiness in living a laid-back lifestyle rather than chasing superficial pursuits. He Chong’s work is much like his attitude towards life, relaxed and unconstrained. The creative freedom of collage art seems to perfectly go hand in hand with the mellow, carefree attitude that He Chong lives by.


贺翀自称为“闭门造车”型的艺术家。闲暇生活便是同妻子一起做拼贴、拍照、逛公园,自由自在的幸福。贺翀的作品就如同他的生活一般不受约束,拼贴本身创作上的自由与他生活的自由结合在了一起。

Weibo~/朵儿赛

 

Contributor: Sonic Yuan


微博~/朵儿赛

 

供稿人: Sonic Yuan

Tiffany’s Tokyo TV: Yoshi

October 3, 2017 2017年10月3日

 

无法观看?前往优酷

Based in Tokyo, Tiffany Godoy is a seasoned fashion editor and host of SSENSE’s “vlogumentary” series Tiffany’s Tokyo TV. The series explores Tokyo’s fashion scene, interviewing different fashion icons in the city. In one of our favorite episode, released earlier this year, Godoy chats with Yoshi, a 14-year-old fashion figure who attends various fashion events, posts selfies on Instagram with his mom’s phone, and aspires to start his own clothing brand. In the video, Godoy joins Yoshi for a fun day of eating hamburgers, dancing, and visiting his favorite boutique shops in Harajuku.


作为一个资深时装编辑的Tiffany Godoy以东京为背景与SSENSE制作了一档属于自己的真人节目《Tiffany’s Tokyo TV》,旨在深度挖掘这个城市里的时尚ICON们的故事。在这期节目里,Godoy采访了14岁的Yoshi,Yoshi在穿着上非常有自己独到的见解,他以他的方式参加各种时尚活动,用妈妈的手机上Instagram,并且梦想着成立一个自己的品牌。Yoshi跟Godoy一起吃汉堡、跳舞、带领她去他最爱的两个原宿时装店并且分享了自己的一些超龄计划。