Tag Archives: vsco tutorial

Opposite Perspectives

This story is part of a content partnership and media exchange between Neocha and VSCO. Their membership program, VSCO X, is designed to help you reach your creative potential. Take the next step in your creative journey by starting your free 7-day VSCO X trial today and gain access to the complete VSCO preset library, the newest editing tools, and inspiring educational content.

In this fast-paced world, it is common to quickly snap a photo rather than document with creative intent. Instead of capturing a subject from one vantage point and moving on, try photographing a scene from opposite perspectives.

This challenge will require you to slow down, evaluate what you see, and think about your composition. Get innovative and use the following tips to photograph opposite viewpoints.


本篇文章来自新茶媒体合作伙伴 VSCO 的内容交换。VSCO X 是一个专门帮助摄影爱好者发挥创造潜力的会员项目。现在就开启你的 7 天免费 VSCO X 试用创意之旅,即可获得的 130+ 预设滤镜,以及新的编辑工具、视频编辑和教程内容。

在这个快节奏的世界里,人们通常会快速地抓拍一张照片,而不是带着创作意图去记录。与其从一个有利的角度拍摄一个主题便不了了之,不如尝试从相反的角度来拍摄它。

这个挑战将要求你放慢速度,评估你所看到的,并思考你的构图。接下来我们罗列出的小提示,将教你如何从相反角度来拍摄,一起来创新吧!

Capture your subject + what your subject sees / 捕捉你的主体+主体看到了什么

After photographing someone or something, move to put yourself in their place. Then take a photo that replicates their view. This will give the audience looking at your photos a more complete understanding of the setting and make them feel a part of the experience.

* Tip — Leave clues to let the viewer know the photos are related. There are many creative ways to go about this. In the above image, the photo on the right was shot through the yellow lens of the glasses to ‘truly’ see the scene from the person’s perspective.


在给某人或某物拍照之后,将自己放到他们的位置上。然后从他们的视角出发拍摄一张照片。这将使观众更完整地理解场景设置,并使他们感同身受。

*小技巧——留下线索让观众知道这些照片是有关联的,实现的方式可以很多样。在上图中,右边的照片是通过黄色镜片拍摄的,体现了主人公的真实视角。

* Tip — Take time to come up with a concept and plan the shoot before it happens. Not all locations photograph well from both directions, so do a bit of scouting ahead of time.


*小技巧——花一点时间在概念上,并且事先安排好拍摄计划。并不是所有的场景适合从两个角度拍摄,所以提前做一些侦察。

* Tip — Shoot with a partner. Find someone who is willing to be patient and hold a pose while you photograph them from both sides. The shot you have in mind may not be obvious to your model, so be sure to give clear directions.


*小技巧——和同伴一起拍。找一个愿意耐心点的人,在你从两边给他们拍照的时候,摆个姿势。对于你的模特来说,他们可能对你脑中的画面并不十分清晰,所以一定要给出明确的方向。

Capture opposite vantage points / 捕获反向的有利位置

Explore the many ways you can document a scene — above and below, in front and behind, from outside looking in and vice versa.

* Tip — Additional tools, like a selfie stick or a drone, can make shooting from opposite perspectives easier and allow you to experiment with varying distances. If you don’t have those options, look for opportunities around you that provide different viewpoints, like a balcony or a bridge. In the photo above, a ladder was used to capture the model tying her shoe from different angles.


尽可能从多角度来记录一个场景——从上或往下,从正面或从反面,从外往内,反之亦然。

*小技巧——利用附加工具,如自拍杆或无人机,可以使从相反角度拍摄更容易,并允许你在不同的距离进行试验。如果你没有这些选择,那就在身边寻找能提供不同视角的机会,比如阳台或桥梁。在上面的照片中,一个梯子被用来从不同的角度捕捉模特系鞋带的场景。

*Tip — When applying this practice to street photography, try to look ahead and anticipate potential moments as much as possible. People and objects are constantly moving, so you will need to react quickly when transitioning between one point of view to the other.


*小技巧——当这个实践应用于街头摄影,尝试尽可能提前观照潜在的画面。人和物总是在不断地移动,所以当你切换视角时,你将需要做出快速的反应。

Flare & Glare

Image by nushahot / 图片由 nushahot 提供

This story is part of a content partnership and media exchange between Neocha and VSCO. Their membership program, VSCO X, is designed to help you reach your creative potential. Take the next step in your creative journey by starting your free 7-day VSCO X trial today and gain access to the complete VSCO preset library, the newest editing tools, and inspiring educational content.

Embracing optical distortions can enhance the feeling of a photo and even create unique compositions that you can only see through a lens. See how you can use flare and glare to add a burst of light to your next photo – perfect for a washed out day at the beach or getting creative indoors.


本篇文章来自新茶媒体合作伙伴 VSCO 的内容交换。VSCO X 是一个专门帮助摄影爱好者发挥创造潜力的会员项目。现在就开启你的 7 天免费 VSCO X 试用创意之旅,即可获得的 130+ 预设滤镜,以及新的编辑工具、视频编辑和教程内容。

多加利用变形的光线可以增强照片的氛围感,甚至创造出只能通过镜头发现的独特构图。如果你计划在海滩度过一天,或在室内进行创作,跟着以下提示了解如何借由闪烁的光线让你的照片更加炫目动人。

Look Into the Light / 直视亮光
Image by mirandanderson / 图片由 mirandanderson 提供

It’s not uncommon to completely avoid photographing directly into your main source of light. This helps prevent unpredictable exposures and harsh contrast, but it’s also ideal for creating lens flare or glare. Placing a subject between you and the light can help you find that sweet spot where it bends and streaks the most.


大多数人会避免直接对着主要光源拍照,防止不可预测的曝光和太刺眼的对比度,但这也是创作耀斑或眩光的理想方法。在你和光源之间放置一个物品,这可以帮助你找到光线反射和散发的最佳位置。

Image by va1entines / 图片由 va1entines 提供
Image by lucysamantha / 图片由 lucysamantha 提供

Experimenting with the sun when it is low in the sky is a great place to start, but artificial lights can also create unique results. Always try different angles to see how it changes the final image.


在太阳低的时候尝试创作是一个很好的起点,人造灯同样地也可以拍出特殊的效果。尽量去实验不同的角度看看它们会如何改变最终成果。

Find Reflections / 寻找反射
Image by heidinauss / 图片由 heidinauss 提供

Flare is caused by bright rays of light bouncing between the layers of glass inside of your lens. Finding a reflective surface brings this effect from inside your lens, out onto surfaces within your composition – creating glare. A window, glass table, or even a puddle can reflect light that you can use to create dreamy streaks and stars.


耀斑是指太阳光直射镜头时所产生的一些耀眼的斑点、光迹。寻找一个能让光线反射的表面,窗户、玻璃桌、甚至是水坑都可用于创造梦幻的光晕或繁星般的炫光。

Make it Subtle / 再细致一点
Image by stellagl / 图片由 stellagl 提供

When used, elements of flare and glare don’t always have to be central to the composition. Trying to control the size of the streaks by shifting your perspective is helpful, but even simply placing the light along the edge of the frame can help create the effect you want without being too distracting.


闪烁的光虽然耀眼,但它们不一定必须是画面的主角。尝试通过移动你的视角,来控制光晕的大小,即使只是将光线沿着框架的边缘放置,也可以帮助你创建想要的效果,而不会过于分散注意力。

Editing Tip / 小技巧

Using the Highlights tool can bring back some tone to otherwise completely blown out areas of flare or glare. This helps reduce the extreme contrast and makes the light feel less harsh.


使用亮光(Highlights)工具,有助于你缓和过于闪烁的光线、耀斑或眩光区域,降低极端的对比度,使光线不那么刺眼。

Image by t-nycha / 图片由 t-nycha 提供

Three Ways to Lower Contrast

(V1) Image by alexleav / 图片由 alexleav 提供

This story is part of a content partnership and media exchange between Neocha and VSCO. Their membership program, VSCO X, is designed to help you reach your creative potential. Take the next step in your creative journey by starting your free 7-day VSCO X trial today and gain access to the complete VSCO preset library, the newest editing tools, and inspiring educational content.

Low contrast editing can help create a washed-out feel that preserves detail with subtle shifts in hue and tone. If you want to balance out harsh, contrasty light or a new look to try, these three tips show different approaches to creating low contrast looks of your own.


本篇文章来自新茶媒体合作伙伴 VSCO 的内容交换。VSCO X 是一个专门帮助摄影爱好者发挥创造潜力的会员项目。现在就开启你的 7 天免费 VSCO X 试用创意之旅,即可获得的 130+ 预设滤镜,以及新的编辑工具、视频编辑和教程内容。

通过微调色相和色调来创作低对比度的照片,可以在不失细节的同时营造出一种怀旧的褪色感。如果你想要把强烈的光线中和掉或是尝试新做法,以下三个小技巧将向你展示创建低对比度的不同方法。

1 — The Valence preset pack / 使用 Valence 滤镜预设包

The Valence (V1–V8) preset pack was made with low contrast in mind. Each one has a unique tone and feel, often adding a soft, colored tint to images. V1 creates a cool blue look, V4 is pink, and V8 adds warmer tones. If you want something more subtle, try starting with V5, or reduce the strength of a preset by tapping it again after applying it to an image.


Valence(V1-V8)滤镜预设包本身即设置了较低的对比度,每一款都带有不同的颜色氛围,能为图像添加一股柔和的多彩色泽。V1 偏蓝色、V4 呈粉红色、V8 则多了一层暖色调。如果你想要让画面再细致一点,尝试从 V5 开始,或者在套用滤镜后再次点击来降低滤镜的预设强度。

(V4) Image by alexaptsiauri / 图片由 alexaptsiauri 提供
(V4) Image by arielist / 图片由 arielist 提供
(V8) Image by meganmwhitney / 图片由 meganmwhitney 提供
2 — Contrast and Tone tools / 对比和调工具

The Contrast tool is an obvious choice for experimenting with these looks. Try reducing Contrast a little at a time and combine it with the Tone tool. Try to preserve as much detail as you can in both the dark and bright areas.


使用对比度工具是最直接的做法。一次调降一点点对比度,并与调色工具一起使用。试着在明处和暗处保留越多细节越好。

The Tone tool gives you control over both shadows and highlights. Low contrast images are known for maintaining detail across both bright highlights, as well as dark shadows. Incrementally increasing these sliders can help save these areas of detail.


使用调色工具来掌握照片中的明处和暗处。慢慢地移动高光(Highlights)和阴影(Shadows)滑块,低对比度可让细节共存在明亮和黑暗里。

3 — Character and Film X / Film X 系列滤镜和字符调整工具

If you want a low contrast look that is reminiscent of vintage film, using Character and Film X is your best bet. By using the tools mentioned before in conjunction with reduced Character, you can achieve unique low contrast looks. To access Character, tap on a Film X preset again after applying it to an image. For this approach, try starting with FS1 (Fuji Superia 100) or KP3 (Kodak Portra 160VC).


Film X 胶片模拟滤镜系列可以让你创作出复古电影般的低对比度照片。通过使用先前提到的工具,以及拉低字符(Character)工具,就可以实现独特的低对比度外观。将滤镜应用于图像后再次点击就可以找到字符工具。建议你可以从 Film X 系列里的 FS1(Fuji Superia 100)或 KP3(Kodak Portra 160VC)开始。

Film X — Kodak Color Plus 200

This story is part of a content partnership and media exchange between Neocha and VSCO. Their membership program, VSCO X, is designed to help you reach your creative potential. Take the next step in your creative journey by starting your free 7-day VSCO X trial today and gain access to the complete VSCO preset library, the newest editing tools, and inspiring educational content.

Kodak Color Plus 200 – KCP2 is the latest addition to VSCO’s line of Film X presets. Widely thought to be Kodak’s Kodacolor VR 200 from the 1980s in new packaging, Kodak Color Plus 200 has an authentic vintage look and is still available as an affordable 35mm film. With its low contrast, low color saturation, and slightly warm inclination, KCP2 is well suited for a wide variety of subjects, but especially excels at casual snapshots and portraiture.


本篇文章来自新茶媒体合作伙伴 VSCO 的内容交换。VSCO X 是一个专门帮助摄影爱好者发挥创造潜力的会员项目。现在就开启你的 7 天免费 VSCO X 试用创意之旅,即可获得的 130+ 预设滤镜,以及新的编辑工具、视频编辑和教程内容。

Kodak Color Plus 200(简称为 KCP2)是 VSCO Film X 胶片模拟滤镜系列中新加入的成员。被广泛认为是柯达 Kodacolor VR 200 在 1980 年代换上包装推出的新版,Kodak Color Plus 200 能让你的照片真正复古起来,至今仍是 35mm 胶片类别里一个经济实惠的选择。这一款型号的胶片具有较低的对比度和色彩饱和度,以及略偏温暖的色温,非常适用于拍摄各种各样对象,尤其是休闲快照和人物照。

Before and after / 滤镜前后效果
Before(前)
After(后)
Before(前)
After(后)

Breaking the Rule of Thirds

Image by vlas / 图片由 vlas 提供

This story is part of a content partnership and media exchange between Neocha and VSCO. Their membership program, VSCO X, is designed to help you reach your creative potential. Take the next step in your creative journey by starting your free 7-day VSCO X trial today and gain access to the complete VSCO preset library, the newest editing tools, and inspiring educational content.

The rule of thirds equally divides a frame with two horizontal and two vertical lines. The resulting overlay is used for composing and arranging subjects within the image. This technique is helpful for creating images that guide viewers through various parts of the image, but it is by no means a rule of law.


本篇文章来自新茶媒体合作伙伴 VSCO 的内容交换。VSCO X 是一个专门帮助摄影爱好者发挥创造潜力的会员项目。现在就开启你的 7 天免费 VSCO X 试用创意之旅,即可获得的 130+ 预设滤镜,以及新的编辑工具、视频编辑和教程内容。

摄影中的三分法,是用两条水平线和两条垂直线平均地分割画面,方便拍摄者去构图或安排拍摄对象的位置。这个技巧有助于做出更精致的构图,引导观众的视线经过图像每一个部分。但这绝对不是你必须遵守的法则。

Break the Rules / 打破规则

Breaking the rules and finding the exceptions can be a great process for discovering new looks that stand out from the crowd. Here are a few ways you can reframe your image without using the rule of thirds.


打破规则、找到例外,是一个尝新和让作品脱颖而出的好方法。不需要使用三分法,你可以通过以下几种方法尝试新的构图:

1 — Align Center /  对齐中心

Image by nickspector / 图片由 nickspector 提供

Rather than using guides that split the frame into thirds, try using one line along each axis to create a single intersection point at the very center of the frame. This creates a much more symmetrical layout, especially when used with square images.


不再将画面分割为三等分,而是找到画面的中心点,以创建更加对称的布局。尤其当你创作的图像是方形的时候。
Image by lattiure / 图片由 lattiure 提供
Image by chamanprisme / 图片由 chamanprisme 提供

2 — Work the Edges / 运用边角

Image by jstn / 图片由 jstn 提供

By turning your attention to the edges of the frame, you can create unique compositions that diverge from more traditional approaches. This also tends to create areas of negative space within the image, which itself can turn into a creative tool. Try this if you want to experiment with a more minimal look.


将注意力转移到画面的边缘地区,你可以创造有别于传统的独特构图。比如说,在容易被人忽略的负空间(在既定范围里,主体和其连动元素之外的空间)里创作,可以发挥出精彩的创意。如果你想要让画面看起来再极简一点,就可以尝试此种方法。
Image by clairekeeley / 图片由 clairekeeley 提供

3 — Fill the Frame / 填满画面

Image by ohconnor / 图片由 ohconnor 提供

Stretching subjects across the entire frame is another way of breaking free of the rule of thirds. If you have a subject that repeats a pattern, or if you’re wanting to abstract a subject by getting in close, try allowing it to fill the image from edge to edge. This creates a singular visual plane that forces the viewer to seek out points of reference.


将主体填满整个画面,是摆脱三分法的另一种方式。如果你拍摄的主体是重复的图案,或是你想通过近距离拍摄使主体抽象化,尝试将它从边缘延伸到另一边缘,完全填满画面。这会创造出一种奇特的视觉感受,迫使观众去寻找一个基准点,而更沉浸在画面其中。
Image by byeymouchel / 图片由 byeymouchel 提供
Image by eskylabs / 图片由 eskylabs 提供