Monthly Archives: July 2019

Good Day, Bad Day, Every Day 既美好又糟糕的世界啊

July 10, 2019 2019年7月10日

For Tavepong Pratoomwong, street photography’s appeal doesn’t lie in its fleeting nature or its reliance on luck: a picture’s worth depends on whether or not it can make you smile. Through the intensely imaginative lens of this Thai photographer, Bangkok bursts with culture and life, and even the most ordinary streets reveal an absurd side brimming with stories.

泰国摄影师 Tavepong Pratoomwong 的快门下，街头摄影的趣味，不仅在于其偶然性和难以复现的场景画面。对他来说，照片的价值更体现在是否能让人会心一笑。通过充满奇趣想象的镜头，他展现了文化色彩浓郁的曼谷生活，再平常不过的街道，也能够现出荒诞又富有故事性的一面。

Like many of the street-photographer greats, Pratoomwong’s approach to photography is based largely on intuition. He roams the streets in search of interesting scenes: it’s a game of patience until he captures the decisive moment. “Street photography is meditative,” he explains. “As you walk around looking for subjects to shoot, the moment that compels you to press the shutter is a moment when you’re fully connected with yourself. It’s a state of deep focus.”

Pratoomwong doesn’t attempt to document reality with complete fidelity. He instead chooses to revel in the process of photo-making, enjoying the experience of walking about and applying his own creative twist to scenes he encounters. One of the techniques that makes him stand out is “forced perspective,” which makes elements in the foreground or background seem much bigger or smaller than they actually are. Yet everything he shoots is achieved in-camera and unaltered in post-production, save for minor color correction in Lightroom.

像许多街头摄影大师一样， Tavepong 的摄影方法很大程度上还是受直觉牵引。他在街上徘徊，寻找一个个有趣的场景，这是一种耐心的游戏，直至捕捉到那个决定性时刻。“街头摄影就像一种冥想，当一边走路一边寻找素材，或是决定按下快门的那一刻，就是自己与自己连结起来的时刻，会进入非常专注的状态。”对 Tavepong 而言，照片并不仅仅是对真实故事的记录。他更多的是享受整个拍照的过程，体验身在其中的感受。

Tavepong 并不旨在完全忠实地记录现实。相反，他选择去陶醉在拍摄过程里，去享受行走的经历，并把自己的创意揉杂进他遇到的场景中。让他的作品脱颖而出的，是他独有的“强迫透视法”，这会让相片中前景或背景中的元素看起来比实际情况下大得多，当然也可以小得多。他拍摄的每件事物，都完全仅靠相机实现的，后期过程不会有变化，除了在 Lightroom 里微调下色调。

Pratoomwong’s interest in photography began in college. For a while, he was obsessed with equipment, and this gear-head mentality practically kept him from shooting. Then in 2013, his wife gave him a ticket to Varanasi, India, for their anniversary, and that trip became a turning point for him as a photographer: he once again picked up his camera, seeking to use his own perspective to give scenes a new spin.

Tavepong 从大学开始便对摄影很感兴趣，也因此一度成为了纯粹的摄影器材控，当时仅仅沉迷于器材的他，几乎停止了拍摄。直到 2013 年，妻子送他一张飞往印度瓦拉纳西的机票，作为结婚纪念日礼物。而那趟印度之旅，即是他摄影人生的转折点：重新拾起手中的相机，试着用自己的独特视角赋予场景新的意义。

Returning home, Pratoomwong joined entered a photography competition called “365 Days in 2014,” organized by StreetPhotoThailand, which forced him to get in the habit of going out shooting every day. “It seemed like such a simple challenge, requiring only a little time each day to take a photo and upload it, but each day turned out to be harder than the last,” he recalls. “After all, you don’t want your latest photo to be worse than the one from the day before. You also don’t want to be repetitive with your shots, so you’ll naturally put in more effort for every new shot.”

回到泰国后，Tavepong 加入了摄影团体 StreetPhotoThailand 组织的活动“365 Days in 2014”，这也让他养成了每天出门拍照的习惯。“这个活动看起来很简单，只是每天抽些时间去拍照，接着从中选择一张，贴到平台就好，但实则行动起来一天比一天难，毕竟你不会希望今天拍的照片会低于昨天的标准。而且拍摄的角度也不能重复，所以每天都要更努力地去拍摄创作。”他说道。

As Pratoomwong got more and more involved in street photography, he started to get international attention. In 2014, a mere year after his trip, he took first prize at the prestigious Miami Street Photography Festival and was even invited onto the panel of judges in later years. His first photo book, GOOD DAY BAD DAY BUT EVERYDAY, was published in late 2018 and is available for purchase here.

随着 Tavepong 对街头摄影的日益深入，他也受到了国际摄影界的关注。2014年，仅仅一年之后，他就在著名的迈阿密街头摄影节（Miami Street Photography Festival）上获得了一等奖，甚至在后来的几年中被邀请参加评审委员会。他的第一本摄影书《GOOD DAY BAD DAY BUT EVERYDAY》于 2018 年问世。点击即可进入他的网站购买。

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Website: www.tavepong.com
Instagram: @tavepong_street

 

Contributor: Yueing Yeung

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网站: www.tavepong.com
Instagram: @tavepong_street

 

供稿人: Yueing Yeung

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How to Take Low-Key Shots 如何拍摄一张低调但奢华的照片

July 9, 2019 2019年7月9日

This story is part of a content partnership and media exchange between Neocha and VSCO. VSCO’s membership program is designed to help you reach your creative potential. Take the next step in your creative journey by starting your free 7-day trial today and gain access to the complete VSCO preset library, the newest editing tools, and inspiring educational content.

Experimentation can help keep your photography practice fresh and lead to unexpected outcomes. In this tutorial, we explain a few ways you can make low-key images with subdued light and nuanced detail. Share what you create on VSCO.

本篇文章来自新茶媒体合作伙伴 VSCO 的内容交换。VSCO 是一个专门帮助摄影爱好者发挥创造潜力的会员项目。现在就开启你的 7 天免费试用，获取完整的预设滤镜，以及新的编辑工具、视频编辑和教程内容。

实验可以帮助你保持你的摄影练习新鲜感，并导致意想不到的结果。在本教程中，我们将说明一些方法，你可以让柔和的光线和微妙的细节使照片显得更低调。在 VSCO 分享你创造的作品吧。

Capturing low-key images

捕捉低调光影

Image by dogsbff 图片来自 dogsbff

A low-key image can be achieved in most lighting conditions with the right methods. Seek out isolated subjects and any small glimpses of highlights. Emphasize any surrounding shadows for a quiet and intimate feel.

大多数情况下，一张低调的照片，只要用对方法，一般光照条件就能实现：找出单一的拍摄对象和任何微小的亮点。强调周围的任何阴影，以营造一种安静亲密的感觉。

Set the exposure based on the brightest areas in the scene. When framing your photo, tap and drag downwards to set the focus and to control the amount of underexposure for that particular shot.

根据场景中最亮的区域设置曝光。在拍摄照片的时候，点击并向下拖拽来设置焦距，且需控制拍摄时低曝光的幅度。

Editing for low-key shots


Exposure — One of the most common ways to make an image darker is done by reducing the exposure. If you shoot in RAW, you can manipulate an even greater deal of detail in your editing process.

Contrast — Depending on the desired outcome, adjust your contrast up or down incrementally. Lowering contrast evens out tones, while increasing contrast makes the difference in values greater, so dark tones get even darker.

Shadows — Try raising your shadows to bring some light back into the darker parts of the image, but not too much.

编辑让作品更低调


曝光——最常见的使图像变暗的方法之一就是减少曝光。如果你用 RAW 拍摄，就可以在你的编辑过程操纵更多的细节。

对比——根据所需的效果，调整你的对比，向上或向下增量。降低对比度甚至会降低色调，同时增加对比度会使数值差异变大，所以暗色调会变得更暗。

阴影——尝试加大阴影，以带来一些光回到较黑暗的部分的形象，但不要太多。

Image by katyshayne 图片来自 katyshayne
Image by topasamper 图片来自 topasamper

Image recipes

照片编辑设置

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I Don’t Want You to Know 女孩子的“树洞”

July 8, 2019 2019年7月8日

At first glance, the simple lines and shading of Fang Xiaonao‘s comics make them look like any classic Japanese manga. Only a few pages in does it become apparent that they’re all about young women’s experiences, and that they have an exceptionally light and delicate touch. Many of the stories are lifted straight from real life and set down in manga form.

After graduating from the Beijing Film Academy with a degree in animation, Fang went on to Kyoto Seika University to continue studying manga, and today she’s a full-time comic artist in Tianjin, with three published books to her name.

一眼看方小孬的漫画，用色和线条都很简单，像极了从小看的日漫，但几页翻过去，才惊觉这其中塞进了许多女生的小心思，非常细腻温馨。这些场景，很多都是从生活里撷取而来，方小孬用漫画的形式记录着。

毕业于北京电影学院动画艺术专业的她，又赴京都精华大学继续研究漫画绘本，如今已是一个出了三本书的专职漫画家，定居天津。

“I’m a pretty emotional person, and I’ll often be moved by some little thing I notice in my daily life,” Fang says. “For example, when taking the subway to see a friend off at the train station, my imagination will start going into overdrive at the idea of ‘seeing off someone close to me.'” Some of the stories in the comics are directly modeled on these experiences, and looking back over them brings a smile of recognition to her lips. “Putting them on paper, to a certain extent, means storing up the memories.”

“我是个比较多愁善感的人，经常会被生活上观察到的一些细微的小细节触动。”小孬说，“比如坐地铁送闺蜜去火车站，就会因为‘送重要的人去火车站’这个事件而脑洞大开，展开想象。”而有些直接以生活为原型的故事创作的漫画，每每回看，就一定是会心一笑的。“幸好画下来，算是某种程度上的记忆储存了吧。”她说。

Fang’s recent manga series I Don’t Want You to Know is full of young women’s experiences of yearning and unspoken love. “This one is different from my previous books, which were sort of bland,” she says when asked about her intentions. “It’s more a book for helping readers think about love’s different forms.”

As she candidly admits, she’s gone through a lot in the past three years. “I reached the biggest crossroads I’ve ever encountered on my journey,” she says. Her previous works, such as Apartment for Three, had sweet, feel-good subject matter. “Back then my life was very innocent, or very simplistic, and every day I was showered in love. That book doesn’t have an edge. It’s bland—it can’t be considered my best work,” she says.

小孬最近新出版的漫画系列叫《才不要让你知道》，充满着女生关于心动、暗恋和爱情的种种小情绪。问及这本书的创作初衷，小孬说：“这是一本区别于前面温吞的作品，更多是去帮助读者思考爱的形式的作品。”

过去的三年里，她坦言经历了很多事情，“在人生道路上来了个前所未有的大劈叉。”之前的作品，比如《三味合租屋》，是很温柔很温馨的题材。“那时的自己生活也是很单纯，或者说很单一，每天都被满满的爱包裹着。作品没有锋芒，很温吞。所以不能称得上是‘代表作’。”她说。

“Then two years ago, I went through some emotional distress. As a form of therapy, and to console myself, I drew some comics and published them in a magazine geared toward girls,” Fang says. Out of the blue, she received messages from women saying that her comics helped them finally get over their heartbreak. “I was really moved, and I thought, if my comics can offer love and hope to more women, then my work will have meaning.”

And that’s how I Don’t Want You to Know was born.

“直到前年，我经历了感情上的挫折。那段时间为了自愈，画了一些鼓励自己的漫画作品发表在面向青少年女生的杂志上。”没想到的是，小孬竟然收到了一些女孩子的私信，表示这些漫画治愈了在失恋中踌躇不前的她们。“我很受感动。想到如果自己的漫画能带给更多女孩子爱与希望，那我的创作就是有意义的。”

所以《才不要让你知道》诞生了。

Now that she’s completed this book, she can look back on her previous self and appreciate that, even though she never planned on exploring these topics, she’s grown in the process.  “I hope that this book can give girls a sense of how beautiful love is, as well as how fickle. If they’re aware of the fickleness, they can protect themselves while giving themselves over to love,” she says.

Now Fang knows what direction she wants to take her art in: serious manga for women. Far from the popular “harem” genre, with its clichéd stories of women vying with one another for a man’s attention, Fang wants to create thoughtful works that address contemporary gender relations and explore how women can find emotional fulfillment in a male-dominated society.

I Don’t Want You to Know is now available on JD.com and in select bookstores across China.

等创作告一段落，再回过头看看之前一段时间的自己，方小孬觉得虽然姿态很被动，但换个角度来看，亦是一种成长。“我希望能通过这本书，让女孩子们体会到爱情的美好以及无常，在知道“无常”的前提下，保护好自己，再去投入爱情。”

现在的小孬，已然明确了想创作的方向：比较严肃的成年女性漫画。区别于内地网路上的“后宫漫画”，小孬更想认真地去讨论现在生活中的两性关系，以及女性处在这个男权社会体系下，怎样去成全自己的情感。

《才不要你知道》现已于京东和其他渠道发售。

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Weibo: ~/fangxiaonao
Douban: ~/fangxiaonao

 

Contributor: Chen Yuan
English Translation: Allen Young

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微博: ~/fangxiaonao
豆瓣: ~/fangxiaonao

 

供稿人: Chen Yuan
中译英: Allen Young

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Flowers in the Mirror 我、花朵和镜子的关系

July 5, 2019 2019年7月5日

Liu Ziqian’s simple, elegant, slightly surreal photographs are no ordinary self-portraits. They show more of her long limbs than of her face, and they often center on fruits, mirrors, or flowers. Yet she remains the subject, not only in a physical but in an emotional sense: her photographs began as a way to explore herself and cope with loneliness in the wake of a breakup. 

Out of all the creative outlets that she could have pursued, Liu decided on photography because she found that it was the most therapeutic. Soul-searching came in the click of a shutter. Photography also served as a visual diary, where different moments of her appearance are recorded in pictures.

“What I love most about photography is that it can be a very quiet and profound companion for me,” she says. “It helps me not just to record different moments, but also to convey my inner voice. In the process of photography, I can find answers to many internal questions.” 

刘子千镜头下简约、优雅、略显超现实的照片，其实并非一般的肖像照——它们更多的是展示她修长的四肢，而不是脸，也常常以水果、镜子或花朵为中心。然而，她自己仍是主题——不仅是身体，在情感上，她的照片也开启了一种方法，去探索自己、去应付分手后的孤独。

在她本可选择的所有创意媒介中，刘子千决定走上摄影这条路，是因为她发现摄影最为治愈。只消轻轻一按快门，灵魂展露无疑。那些照片也可以作为她的视觉日记，在那里，不同时刻她的形象被记录在照片上。

“我最喜欢摄影的一点是，它可以成为我一个非常安静且深刻的伴侣，”她说，“它不但能帮我记录不同的时刻，而且还替我传达了我的心声。在拍摄的过程中，它亦帮助我找到了许多内部问题的答案。”

Liu’s series of portraits may be serene, but they are far from dull. “I hope to give the audience a small world that’s calm but not flat,” she says about her works. Though each portrait has a demure and delicate quality, she still aims to subtly channel women’s inner strength. At times Liu finds herself plagued by restlessness and bouts of insecurity. Instead of wallowing in self-pity, though, she takes control of these feelings, composing photographs whose meticulous balance seems to convey an emotional state.

刘子千一系列的肖像照也许显得很淡然，但她们并不单调。“我希望给观众一个平静但不平淡的小世界。”她这样评价自己的作品。尽管每张照片都流露出端庄细腻之感，但她仍然试图巧妙地引导女性内在的力量。刘子千时不时会发现自己为焦躁和不安感所困扰，她不再顾影自怜，而是去控制这些情感，通过拍摄照片，以微妙的平衡去传达了一种情感状态。

Forget about avant-garde theatrics and elaborate props—Liu uses simple, everyday objects. Round mirrors, fruits and flowers, even eggs serve as her co-stars in the portraits. They help shape the two main themes of her works. First, a balance between human beings and nature. Liu believes that humans are part of the natural world, as we live in the same space and breathe the same air. “I try to find a state of harmony between humans and nature in my works, one that is full of peace and emotion.” 

The second theme centers on perspective. As we get overly familiar with the simple objects we use everyday, we no longer really see them in a unique light. Liu encourages the viewer to look at familiar things from different angles by changing the appearance of her props, such as using sliced lemons instead of the whole fruit. “This is not only about things,” she clarifies, pointing to a larger meaning. “It’s also about understanding others and our hearts.” 

忘掉那些浮夸的动作和复杂的道具吧，刘子千的照片里用的是再普通不过的日用品——圆镜、水果和鲜花，甚至鸡蛋也可以入镜。它们帮助塑造了她作品的两大主题。第一，是人与自然的平衡。刘子千认为人是自然界的一部分，因为我们生活在同一个空间里，呼吸着同样的空气。“我试图在我的作品中找到一种人与自然和谐的状态，一种充满和平与情感的状态。”

第二个主题，是以独特的视角为中心。当我们对每天使用的物什过于熟悉的时候，也就不再会以独特的视角来看待它们。刘子千鼓励观众从不同角度观察熟悉的事物，改变它们的外观，比如用柠檬片代替整颗柠檬。“这不仅仅关于小物价本身，”她正言道，指出了一个更大的含义，“这也关乎理解他人和我们的心之所想。”

Minimalism is one of the most popular styles of photography on Instagram, perhaps because viewers seek peace in an otherwise chaotic world. Almost without meaning to, Liu has beautifully harnessed this aesthetic in her photos. “I do not have a very clear expectation of style. Everything is completely based on feelings and is always in the state of semi-fumbling, semi-learning. But I want to keep it minimalist. Minimalism is a reminder for me to stay pure inside and try not to be too distracted by the noise.” 

She discovered her style through constant arrangement and experimentation while shooting and processing her photos. She aims to find the combination that makes her feel most comfortable and “quiet.” Avoiding repetition, or trying to maintain her style while still pushing boundaries, sometimes proves to be a challenge, but she presses on. “I want to think more and observe more to get more inspiration,” she says. 

也许是因为观众想在这个混乱的世界里寻求安宁，让极简主义变成 Instagram 上最流行的摄影风格之一。刘子千在她的照片中完美地利用了这种美学：几乎全无刻意。“我对风格没有很明确的期望。一切都完全建立在感情的基础上，总是处于半摸索、半学习的状态。但我想保持它极简主义。极简主义提醒我要保持内心的澄澈，不要被噪音干扰。”

刘子千是在拍摄和处理照片时，通过不断的排列和实验发现了自己的风格。她的目标是找到让她感觉最舒服和“安静”的组合。有时候在持续突破界限的路上，需要避免重复、保持个人风格，会被列为一种挑战，但刘子千很坚持。“我想多思考，多观察，以获得更多的灵感。”她说。

Speaking of inspiration, Liu finds her muse in her own growth. “Sometimes I look at my earlier pictures on Instagram. The pictures were obviously not mature, but I can see my growth process over time. So I wonder how far I’ll go in photography, and whether this curiosity about the unknown and the visible will inspire me to become a photographer.”

Liu’s success is also a testimonial to the power of social media. Despite taking photos for only two years, and having held only two public exhibitions, she reaches an international audience, with close to 100,000 followers. 

“I had never really thought about this before, but I really appreciate the viewers liking my work. All I can do now is try to respond to all the people who have left comments and move on to shoot more works. I have no future plans at the moment—I’ll let things take their course.” 

说到灵感，刘子千发现这来自于她自己的成长。“有时我在 Instagram 上看我以前的照片，那时拍得显然还不成熟，但日积月累，我可以看到我的成长过程。所以我想知道我在摄影方面能走多远，这种对未知和可见事物的好奇心是否会激励我成为一名摄影师。”

刘子千的成功也证明了社交媒体的力量。尽管她只拍了两年，只举办了两次公共展览，但她的全球粉丝人数却接近 10 万人。“我以前从来没有认真想过这个问题，但是我真的很感激观众喜欢我的作品。我现在能做的就是对所有留下评论的人做出回应，然后继续拍摄更多的作品。目前我还没有未来的计划——听其自然吧。”

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Instagram: @ziqianqian

 

Contributor: Joanna Lee
Chinese Translation: Chen Yuan

喜欢我们的故事？欢迎关注我们 Neocha 的微博与微信。

 

Instagram: @ziqianqian

 

供稿人: Joanna Lee
英译中: Chen Yuan

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Drawing Out the Hurt 魑魅魍魉的小清新

July 3, 2019 2019年7月3日

“When people talk about my illustrations, they often say they’re frightening or gruesome,” says Piru, a Korean illustrator in Seoul. “Maybe that’s because the characters have blank expressions, and parts of the bodies are drawn as bones.”

A ribcage over a multicolored heart, a torso half-hidden in ghostly trees: despite her gruesome subjects, she uses a soft palette, often creating a strong visual dissonance.

“当人们谈论我的插画，会说它们是可怕的、令人毛骨悚然的。这么说的理由可能是画中的人物都没有表情，而且部分躯体被画成了骨头。”来自韩国首尔的插画师 PIRU，这样说起人们对她插画的评价。

悬挂在多彩心脏上的胸廓、鬼魅树影里隐约的胴体——PIRU 的画虽然风格诡谲，用色却很清新，时常给人以一种强烈的视觉反差。

Piru has been drawing since she was a child, but she didn’t formally launch her career as an illustrator until 2016. In the past she disliked expressing negative feelings, but in illustration she eventually found an outlet for her emotions. “I used to think showing my negative side was shameful,” she says. “But now I’ve learned that if your negative feelings don’t get an external release, things usually get much worse.”

The characters in her illustrations seem to wear deadened expressions, as though they’ve experienced some unimaginable grief. But Piru says they’re overcoming sorrow in their own way. She depicts their process of silently bearing pain and waiting for it to pass. “In life, people feel different feelings differently,” she explains. Her pictures show her fragile, struggling inner world, but they also provide a refuge, a place for healing. “I look forward to finding calm, with the passage of time, even though I also know that new sorrows might arrive. If you let time settle things and patiently endure, the clouds will part once more.”

虽然从小喜欢画画，但 PIRU 正式开始插画生涯是 2016 年。以前不喜欢暴露负面情绪的她，在工作后慢慢找到了通过插画来宣泄感情的方法，“以前我觉得展现负能量的一面很羞耻，但之后我发现如果内心的负面情绪没有向外得到释放，事情往往会变得更糟。”

乍一看，插画中的人物表情像是心如死灰，经历着难以想象的铭心痛苦，但 PIRU 说，他们是在以自己的方式去克服战胜这种苦难，她是在描绘这种静静忍受并等待痛苦过去的过程。“人们各自感受着不一样的感受在生活。 ” 她说，画面表现出她脆弱挣扎的内心世界，却也像提供了一处避难所，能让人从中得到治愈。“虽然期待随着时间的流逝之后可以得到平静，但我也知道还会有其他痛苦到来。只是一切都需要时间的沉淀，慢慢熬过去，一定会有云开雾散的那一刻吧。”

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Behance: ~/PIRU So
Instagram: @ssopiru


Contributor: Chen Yuan
English Translation: Allen Young

喜欢我们的故事？欢迎关注我们 Neocha 的微博与微信。

Behance: ~/PIRU So
Instagram: @ssopiru


供稿人: Chen Yuan
中译英: Allen Young

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Mixed Lighting at Home 家里的光照比你想象的更适合拍照

July 3, 2019 2019年7月3日

This story is part of a content partnership and media exchange between Neocha and VSCO. VSCO’s membership program is designed to help you reach your creative potential. Take the next step in your creative journey by starting your free 7-day trial today and gain access to the complete VSCO preset library, the newest editing tools, and inspiring educational content.

As the sun sets into the night and natural light becomes scarce, get creative with the artificial light sources available around you. Illuminate your scene by candlelight, a glow from your phone screen, or a beam from the open refrigerator door.

VSCO’s Artificial Light series is a preset pack that softens or boosts the effects of LED, fluorescent, or mixed lighting scenarios. Ideal for indoor, food, and night photography, AL1-AL6 can transform scenes with tricky lighting to appear either more natural or even supernatural.

本篇文章来自新茶媒体合作伙伴 VSCO 的内容交换。VSCO 是一个专门帮助摄影爱好者发挥创造潜力的会员项目。现在就开启你的 7 天免费试用，获取完整的预设滤镜，以及新的编辑工具、视频编辑和教程内容。

当夕阳西下、夜色笼罩时，不如用你周围可用的人造光源来发挥创造力吧。试试用烛光照亮你的取景地，手机屏幕上的光芒、打开的冰箱门的光，都可以成为这样的光源。

VSCO 的人造光系列滤镜包是一个适合用在 LED、荧光或混合照明环境下，以柔化或提高相片光照效果为主的整套滤镜。不论是室内、食品或夜间摄影，在这些不容易拍摄的光线下，AL-AL6 都能让你的照片看起来更自然——或者甚至超自然。

Combine Light Sources

结合多种光源

Explore and experiment with unexpected forms of lighting in your own home. Get creative and pair different kinds of light together, such as the sun’s natural glow with a candle’s flame or the bold color of a lava lamp with a nightlight. The combinations and possibilities are limitless and can produce unique results.

探索、试验你家里各种意想不到的照明光吧。将不同种类的光创造性地结合在一起，比如太阳的自然光芒和蜡烛的火焰，或是结合夜灯的鲜艳色彩。这些组合和可能性是无限的，可以产生独特的效果。

Soften colors with AL5

AL5 柔光色

Multiple lighting sources can have a chaotic effect on colors in an image. Try creating harmony from the unique mixture of lighting sources with AL5.

多光源可能会对图像中的颜色产生混乱的影响。可以用 AL5 以和谐混合光源带来的纷乱感。

Boost colors with AL6

AL6 提亮色彩

Embrace the unexpected and striking look that results from a combination of multiple kinds of light. With AL6, play to the light’s strengths and emphasize bold color.

由多种光线组合会产生的意想不到、引人注目的图片效果，用 AL6 发挥光的力量、强调大胆的颜色吧。

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